Ideas are like rabbits. You get a couple and learn how to handle them, and pretty soon you have a dozen.
John SteinbeckRead
I nearly always write — just as I nearly always breathe.
Interpretation
Writing is as essential to the author as breathing is to life.
John Steinbeck emphasizes the fundamental importance of writing in his life, suggesting that it is as natural and necessary as breathing. This highlights the idea that for a true writer, the act of creation is not merely a task but an intrinsic part of their existence and identity, evocative of how essential air is for living.
In practice
In a writing workshop, one could say, 'As Steinbeck noted, I nearly always write — just as I nearly always breathe,' to inspire participants.
Ideas are like rabbits. You get a couple and learn how to handle them, and pretty soon you have a dozen.
At one point, as Samuel urges Adam to raise his boys well regardless of the blood that might be in them, Adam tells him, "You can't make a race horse of a pig." Samuel replies, "No, but you can make a very fast pig.
And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, had no connection with the bread. The land bore under iron, and under iron gradually died; for it was not loved or hated, it had no prayers or curses.
The comfortable people in tight houses felt pity at first, and then distaste, and finally hatred for the migrant people.
People do not want advice - they want corroboration.
It is one of the triumphs of the human that he can know a thing and still not believe it.
Good art theory must smell of the studio, although its language should differ from the household talk of painters and sculptors.
Like everything genuine, its inner life guarantees its truth. All works of art created by truthful minds without regard for the work's conventional exterior remain genuine for all times.
If everybody became a poet the world would be much better. We would all read to each other.
In documentary filmmaking, there's a tradition of telling stories about victims. We often do that from a very patronizing place, but mostly we do it from a very selfish place, to reassure ourselves that our lives are in sympathy and solidarity with the victims.
There are neither good nor bad subjects. From the point of view of pure Art, you could almost establish it as an axiom that the subject is irrelevant, style itself being an absolute manner of seeing things.
Memory exercised in a particular way is a natural gift of poetic genius. The poet above all else, is a person who never forgets certain sense impressions which he has experienced and which he can relive again as though with all their original freshness.
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