Form follows profit is the aesthetic principle of our times.
Richard RogersRead
When I started out, nearly every architect I knew was working in public practice; that's where the radical thinking was done. But, there's always a danger of looking back as our fathers did and saying, 'Things were better then.'
Interpretation
The quote emphasizes the importance of innovation in architecture while cautioning against nostalgia for the past.
Richard Rogers reflects on his early career in architecture, highlighting that radical thinking predominantly occurred in public practice. He warns against longing for the past, noting that such a perspective can hinder progress and innovation, as each generation must forge its own path forward rather than idealizing previous eras.
In practice
In a speech about the future of urban design, to illustrate the need for current innovation.
Form follows profit is the aesthetic principle of our times.
I love cities, I spend most of my life talking about cities. And the design of cities does have an effect on your life. You're lucky if you can see trees out of your window and you have a square nearby, or a bar, a cornershop, a surgery. Then you're living well.
A greater focus on design in all new homes would make the best use of land, create homes and public spaces, and reinforce the structures of urban life.
My passion and great enjoyment for architecture, and the reason the older I get the more I enjoy it, is because I believe we - architects - can effect the quality of life of the people.
The only way forward, if we are going to improve the quality of the environment, is to get everybody involved.
Architecture is about public space held by buildings.
Alone of all the races on earth, they seem to be free from the 'Grass is Greener on the other side of the fence' syndrome, and roundly proclaim that Australia is, in fact, the other side of that fence.
What a powerful thing to know: That one's own desires are mappable onto strangers; that what one finds in oneself will most certainly be found in The Other.
MATERIAL, adj. Having an actual existence, as distinguished from an imaginary one. Important.
Faith may be defined briefly as an illogical belief in the occurrence of the improbable.
To say! To know how to say! To know how to exist via the written voice and the intellectual image! This is all that matters in life; the rest is men and women, imagined loves and factitious vanities, the wiles of our digestion and forgetfulness, people squirming β like worms when a rock is lifted β under the huge abstract boulder of the meaningless blue sky.
People just weren't interesting. Maybe they weren't supposed to be. But animals, birds, even insects were. I couldn't understand it.
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