For a while, I was nervous about portraying women because of the objectification that automatically comes with it, whether the artist intends or not. With "Of Another Kind," I've not so much drawn nudes - I hate saying "nudes" because it's not a spectacle - but portrayed people naked. I see them in a more straightforward way - exposed, but with no indication of who or what they are; they're just there.
The graphic style itself is influenced by a lot of very layered and detailed comics that I read as a kid, like Vagabond by Takehiko Inoue. - Toyin Odutola
The graphic style itself is influenced by a lot of very layered and detailed comics that I read as a kid, like Vagabond by Takehiko Inoue.
- Toyin Odutola
Kerry James Marshall especially was a huge influence on me in graduate school, as were Wangechi Mutu and Julie Mehretu. These artists are titans. My … - Toyin Odutola
Kerry James Marshall especially was a huge influence on me in graduate school, as were Wangechi Mutu and Julie Mehretu. These artists are titans. My …
I kept wanting to push my image as validity; I wanted to see my portrait on a wall and know it was okay. - Toyin Odutola
I kept wanting to push my image as validity; I wanted to see my portrait on a wall and know it was okay.
Hank Willis Thomas is great. He's the one who "discovered" my work and saw something that I didn't see. He's still constantly pushing me to try out n… - Toyin Odutola
Hank Willis Thomas is great. He's the one who "discovered" my work and saw something that I didn't see. He's still constantly pushing me to try out n…
For a while, I was nervous about portraying women because of the objectification that automatically comes with it, whether the artist intends or not.… - Toyin Odutola
For a while, I was nervous about portraying women because of the objectification that automatically comes with it, whether the artist intends or not.…
Where some may see flat, static narratives, I see a spectrum of tonal gradations and realities. What I am creating is literally black portraiture wit… - Toyin Odutola
Where some may see flat, static narratives, I see a spectrum of tonal gradations and realities. What I am creating is literally black portraiture wit…
For a while, I was nervous about portraying women because of the objectification that automatically comes with it, whether the artist intends or not. - Toyin Odutola
For a while, I was nervous about portraying women because of the objectification that automatically comes with it, whether the artist intends or not.
I've always felt the portrait is an occasion for marks to happen. I've never viewed the portrait as about the sitter. Even when I go to the National … - Toyin Odutola
I've always felt the portrait is an occasion for marks to happen. I've never viewed the portrait as about the sitter. Even when I go to the National …
I moved around a lot when I was a child; two of the houses I grew up in have totally disappeared. One was burnt in a riot, and the other was pulled d… - Toyin Odutola
I moved around a lot when I was a child; two of the houses I grew up in have totally disappeared. One was burnt in a riot, and the other was pulled d…
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