I owe very, very much to Mozart; and if one studies, for instance, the way in which I write for string quartet, then one cannot deny that I have learned this directly from Mozart. And I am proud of it!
Arnold SchoenbergRead
I never was very capable of expressing my feelings or emotions in words. I don't know whether this is the cause why I did it in music and also why I did it in painting. Or vice versa: That I had this way as an outlet. I could renounce expressing something in words.
Interpretation
The quote reflects on the inadequacy of words to express deep emotions, suggesting that art can serve as a more authentic outlet.
Arnold Schoenberg articulates a personal struggle with verbal expression, indicating that his inability to convey his feelings in words led him to use music and painting as alternative means of communication. This highlights the idea that art can capture and express complexities of human emotion in ways that words sometimes cannot.
In practice
In a speech about the power of creativity, one may quote Schoenberg to emphasize the limits of language.
I owe very, very much to Mozart; and if one studies, for instance, the way in which I write for string quartet, then one cannot deny that I have learned this directly from Mozart. And I am proud of it!
There is still plenty of good music to be written in C major.
I am the slave of an internal power more powerful than my education.
I find above all that the expression, atonal music, is most unfortunate — it is on a par with calling flying the art of not falling, or swimming the art of not drowning.
My music is not modern, it is merely badly played
I was born with music inside me. That's the only explanation I know of
The avantgarde are people who don't exactly know where they want to go, but are the first to get there.
A work of art is good if it has arisen out of necessity. That is the only way one can judge it.
the look of the sky as the day's blue blood runs out of its cheek.
My films, I've tried to put a message into them. It's not about the gore; it's not about the horror element that are in them. It's more about the message, for me. That's what it is, and I'm using this platform to be able to show my feelings of what I think.
At the ballet classes I took when I first came to New York, I would see great dancers like Cynthia Gregory and Lupe Serrano. I would look at them and study what they could do, and what I couldn't do. And then I'd think maybe they should try what I could do.
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