I really do live for the future, because when I'm eating a box of candy, I can't wait to taste the last piece.
I never wanted to be a painter; I wanted to be a tap dancer.
Interpretation
What this quote means
Warhol expresses that his true passion was not in painting, but rather in the art of tap dancing.
In this quote, Andy Warhol reveals a deeper truth about his aspirations and artistic identity. While he is known primarily as a painter, he reflects on his real desire to engage in the rhythmic and lively expression of tap dancing, suggesting that our true passions may differ from what we are conventionally known for. This highlights a significant theme about the importance of following one's genuine interests and not being confined by societal expectations.
Themes
In practice
Example use cases
In a discussion about pursuing creative passions, this quote can inspire others to explore their true interests.
More from Andy Warhol
All quotes βFantasy love is much better than reality love. Never doing it is very exciting. The most exciting attractions are between two opposites that never meet.
I love Los Angeles. I love Hollywood. They're beautiful. Everybody's plastic, but I love plastic. I want to be plastic.
Being good in business is the most fascinating kind of art
I like to be the right thing in the wrong space and the wrong thing in the right space. But usually being the right thing in the wrong space and the wrong thing in the right space is worth it, because something funny always happens.
I love it when you ask actors, 'What are you Doing now?' and they say 'I'm between roles'. To be living 'life between roles' that's my favorite
Similar quotes
If a man comes to the door of poetry untouched by the madness of the Muses, believing that technique alone will make him a good poet, he and his sane compositions never reach perfection, but are utterly eclipsed by the performances of the inspired madman.
I have no desire to prove anything by dancing. I have never used it as an outlet or a means of expressing myself. I just dance. I just put my feet in the air and move them around.
My entire soul is a cry, and all my work is a commentary on that cry.
By close-ups of the things around us, by focusing on hidden details of familiar objects, by exploring commonplace milieus under the ingenious guidance of the camera, the film, on the one hand, extends our comprehension of the necessities which rule our lives; on the other hand, it manages to assure us of an immense and unexpected field of action.
Some may find them merely diverting melodies. Others may find them incitements to Red revolution. And who will say if either or both is wrong? Not I.
I believe that as a writer and a director, you're only providing the skeleton of a character, and you're hiring actors to fill it out.