I never really made much money playing music. It's because I've never really worked with a producer who could make my music sound, I guess, like how the public wants it to sound.
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I hate the sound of my own voice. It's just up there, sort of naked and exposed. Live is hard, because on my records, I play almost everything on a lot of stuff. In a live situation, I can't control everything. I use two different microphones. One is just clean, traditional sound, and the other one is basically a cheap cassette-recorder microphone that goes through a distortion box to emulate my voice on the record. That helps some.
A lot of the stuff I listen to is glitchy electronic stuff and stuff with beats.
I'm f**king pathetic when it comes to being an entertainer. People come because they want to see me have a nervous breakdown.
Daniel Johnston is the purist and most unpretentious artist of our generation
A lot of that I base on, "Is it still going to sound interesting and fresh to me in five years, am I going to be embarrassed by this in five years?" It's easier for me to do stark, moody, pretty stuff, and I have all this pop stuff inside me, but it's a lot more dangerous, and pop is just apt to sound contrived and sort of pedestrian if you're not careful.
I think maybe I'm trying to forget or not be so conscious about plastic circuitry and just go for the feeling.
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