Never sit staring at a blank page or screen. If you find yourself stuck, write. Write about the scene you're trying to write. Writing about is easier than writing, and chances are, it will give you your way in.
Interpretation
The quote encourages overcoming writer's block by writing anything, even if it's not the final piece.
Laini Taylor emphasizes the importance of taking action when faced with a creative block. Instead of getting paralyzed by the blankness of a page or screen, she suggests that writing about the challenges or scenes one is trying to create can help unlock creativity and lead to the desired expression. This approach not only alleviates the pressure of perfection but also serves as a warm-up to find one's voice and direction in writing.
In practice
This quote can be used in a writing workshop to encourage participants to overcome their fears of the blank page.
Itβs like losing gravity and falling into space β the moment of pitching headlong when the endlessness of space asserts itself and there is no more down, only an eternity of up, and you realize you can fall forever and never run out of stars.
Kizzy wanted it all so bad her soul leaned half out of her body hungering after it, and that was what drove the goblins wild, her soul hanging out there like an untucked shirt.
When I turned to writing fantasy, and writing for young people, it was joyous. It was like discovering an underground lake of ideas that went on forever.
Dialogue is the place that books are most alive and forge the most direct connection with readers. It is also where we as writers discover our characters and allow them to become real.
Happiness. It was the place where passion, with all its dazzle and drumbeat, met something softer: homecoming and safety and pure sunbeam comfort. It was all those things, intertwined with the heat and the thrill, and it was as bright within her as a swallowed star.
It is a condition of monsters that they do not perceive themselves as such. The dragon, you know, hunkered in the village devouring maidens, heard the townsfolk cry 'Monster!' and looked behind him.
You may have an older audience in front of you holding the Bible and a younger audience holding an iPhone. You don't want to lose either audience.
We read to find out what the world is like, to experience lots of lives, not just the one we live. If it is true that our lives are chaotic and we crave a shape, stories are the shapes that we put on experience, containing all the wisdom in the world. We can even choose what kind of wisdom suits us.
Each time you learn something new you must readjust the whole framework of your knowledge
But the indeterminate future is somehow one in which probability and statistics are the dominant modality for making sense of the world. Bell curves and random walks define what the future is going to look like. The standard pedagogical argument is that high schools should get rid of calculus and replace it with statistics, which is really important and actually useful. There has been a powerful shift toward the idea that statistical ways of thinking are going to drive the future.
To practice your scales, so to speak, in order play the symphony, is what you have to do as a young poet.
The best moments in reading are when you come across something - a thought, a feeling, a way of looking at things - which you had thought special and particular to you. And now, here it is, set down by someone else, a person you have never met, someone even who is long dead. And it is as if a hand has come out, and taken yours
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