Never open your story with a character thinking, I advise my students. As a further precaution, don’t put a character in a room alone – create a friend, a bystander, a genie, for God’s sake, any sentient creature with whom your main character can converse, perhaps argue or, better yet, engage in some action. If a person is out and doing, it’s more likely that something interesting might happen to her or him. Shut up in a room with only his thoughts for company well, that way lies fictional disaster.
And while dollars have little to do with it, the fiction writer should be asking the same question any capable film producer would ask: Is this scene… - Les Standiford
And while dollars have little to do with it, the fiction writer should be asking the same question any capable film producer would ask: Is this scene…
- Les Standiford
Never open your story with a character thinking, I advise my students. As a further precaution, don’t put a character in a room alone – create a frie… - Les Standiford
Never open your story with a character thinking, I advise my students. As a further precaution, don’t put a character in a room alone – create a frie…
There are vast differences between scripts and stories, of course. Few fiction writers would want to give up the opportunity to explore how the minds… - Les Standiford
There are vast differences between scripts and stories, of course. Few fiction writers would want to give up the opportunity to explore how the minds…
Maybe it's because we as writers are alone so often, are so attuned to listening to the run of our own thoughts, that we find it more natural to writ… - Les Standiford
Maybe it's because we as writers are alone so often, are so attuned to listening to the run of our own thoughts, that we find it more natural to writ…
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