It's foul what this money could do, cash corrupts the loyal.
NasRead
It's never been seen that a street artist go as far as I've gone - keep consistent without wanting to do a bunch of ventures outside of music to keep my face out there.
Interpretation
Nas emphasizes the dedication and consistency required to succeed as a street artist in the music industry.
In this quote, Nas highlights the rarity of a street artist achieving significant success while remaining focused solely on their music. He suggests that many artists often diversify into different ventures to maintain visibility, but he prides himself on his commitment to his craft without straying from his primary passion.
In practice
Sharing this quote during a panel discussion about the music industry.
It's foul what this money could do, cash corrupts the loyal.
It's a thin line between paper and hate,_x000D_ _x000D_ Friends and snakes, nine millis and thirty-eights,_x000D_ _x000D_ Hell or the pearly gates...I was destined to come,_x000D_ _x000D_ Predicted, blame God, He blew breath in my lungs.
I pledge allegiance to the fair and balanced truth._x000D_ _x000D_ Not the biased truth,_x000D_ _x000D_ Not the liest truth,_x000D_ _x000D_ But the highest truth.
Every time I get in the studio, I feel like I wanna have some fun. My fun is not doing the easy work. My fun is doing what's me.
If you scared to take chances, you'll never have the answers...
I don't respect killers, I respect O.G. knowledge,_x000D_ _x000D_ Codes of the streets got new rules, but no guidance._x000D_ _x000D_ Lessons, detrimental to a young disciple;_x000D_ _x000D_ Folks, take care of your brothers, niggas do as I do._x000D_ _x000D_ Keep your enemies close, where they can see you._x000D_ _x000D_ It's not your enemy who get you, it's always your own people.
I get irritated with the world. I get irritated with politicians. I get very irritated with governments and with corporations, but in terms of imagination - my imagination is always fertile. I'm either thinking of my own things or constantly engaged by the things that other people do.
We name one thing and then another. That’s how time enters poetry. Space, on the other hand, comes into being through the attention we pay to each word. The more intense our attention, the more space, and there’s a lot of space inside words.
I really - I don't take my work that seriously, and I think that's what keeps me loose. If I try to write, if I catch myself trying to write, I'll fall right on my face. I'll see it. If I see in the prose that I'm - 'Boy, look at me writing,' I rewrite it. I rewrite it because I don't, because I think it's distracting.
THEATRE HAS THE POWER TO MOVE, INSPIRE, TRANSFORM AND EDUCATE IN WAYS THAT NO OTHER ART FORM CAN. THEATRE REFLECTS BOTH THE EXTRAORDINARY DIVERSITY OF CULTURES AND OUR SHARED HUMAN CONDITION, IN ALL ITS VULNERABILITY AND STRENGTH.
I always believed in the music we did and that's why it was uncompromising.
My early childhood equipped me really well for my portrait work: The quick encounter, where you are not going to know the subject for very long. These days I am much more comfortable with the fifteen minute relationship, than I am with a life long relationship.
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