I never have any trouble playing anything I can think of. The trouble is in thinking of what to play.
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If you like an instrument that sings, play the saxophone. At its best it's like the human voice.
I cannot play a lie. I have to believe in what I play or it won't come out.
The saxophone is actually a translation of the human voice, in my conception. All you can do is play melody. No matter how complicated it gets, it's still a melody.
It’s like a language. You learn the alphabet, which are the scales. You learn sentences, which are the chords. And then you talk extemporaneously with the horn. It’s a wonderful thing to speak extemporaneously, which is something I’ve never gotten the hang of. But musically I love to talk just off the top of my head. And that’s what jazz music is all about.
A good quartet is like a good conversation among friends interacting to each other's ideas.
The value of jazz still has to be clarified. People involve themselves with its superficialities without digging for its soul.
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