I don't feel I've arrived home until I get on the beach. All my life, the theater of the sea has been a very strong thing.
Derek WalcottRead
I have never felt inhibited in trying to write as well as the greatest English poets.
Interpretation
Derek Walcott expresses confidence in his ability to write poetry at the level of celebrated poets.
In this quote, Derek Walcott reflects his unrestrained ambition to achieve excellence in poetry. He emphasizes that he does not feel constrained by the mastery of established English poets, suggesting a belief in his own potential and creativity, which speaks to the personal pursuit of artistic expression and the desire to contribute meaningfully to the literary world.
In practice
This quote would be perfect for inspiring young poets at a school event.
I don't feel I've arrived home until I get on the beach. All my life, the theater of the sea has been a very strong thing.
Creating a poem is a continual process of re-creating your ignorance, in the sense of not knowing what's coming next.
A long time ago, I thought, as a writer in the Caribbean, 'I don't ever want to have to write 'It was great in Paris.'' Because I don't think, proportionately speaking, that one's experience in a city as opposed to, say, a village in St. Lucia, is superior to the other.
My mother was a schoolteacher and very, very encouraging. She understood what it meant when I said I wanted to be a writer; both me and my brother wrote.
When I went to college - when I read Shakespeare or Dickens or Scott - I just felt that, as a citizen of England, a British citizen, this was as much my heritage as any schoolboy's. That is one of the things the Empire taught, that apart from citizenship, the synonymous inheritance of the citizenship was the literature.
The truest writers are those who see language not as a linguistic process but as a living element.
You've only got 12 notes and however you mix them up is your thing.
Kid ... Comics will break your heart.
Well-written novels make you more empathetic towards other people. You can identify with someone who isn't you. You can change your identity. A 14-year-old boy can become Anna Karenina. It is a miracle.
I strive for an architecture from which nothing can be taken away.
The art has to make it on its own, without explanations, and itβs the same for poetry. If the poem or the painting has to be explained, then itβs a failure in communication.
If having a story that's compelling - you want to know what will happen - is traditional, then ultimately I am a traditionalist. That is what readers care about. It's what I care about as a reader. Now if I can have that along with a strong girding of ideas and some kind of exciting technical forays - then that is just the jackpot.
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