Every good writer I know needs to go into some deep, quiet place to do work that is fully imagined. And what the Internet brings is lots of vulgar data. It is the antithesis of the imagination. It leaves nothing to the imagination.
Each new thing he encountered in life impelled him in a direction that fully convinced him of its rightness, but then the next new thing loomed up and impelled him in the opposite direction, which also felt right. There was no controlling narrative: he seemed to himself a purely reactive pinball in a game whose only object was to stay alive for staying alive's sake.
Interpretation
What this quote means
The quote reflects the struggle of navigating life's choices amidst constant change and uncertainty.
In this quote, Jonathan Franzen delves into the complexities of human experience, illustrating how each new encounter in life can evoke a sense of conviction in one direction, only to be met with a contrasting pull toward something equally compelling. This reactive existence, likened to that of a pinball in a game, signifies the absence of a guiding narrative, leading to a life driven by the mere instinct to survive rather than a purposeful pursuit.
Themes
In practice
Example use cases
In a motivational speech about embracing change, one might quote Franzen to highlight the unpredictable nature of life.
More from Jonathan Franzen
All quotes →The problem was money and the indignities of life without it. Every stroller, cell phone, Yankees cap, and SUV he saw was a torment. He wasn't covetous, he wasn't envious. But without money he was hardly a man.
If multiculturalism succeeds in making us a nation of independently empowered tribes, each tribe will be deprived of the comfort of victimhood and be forced to confront human limitation for what it is: a fixture of life.
To read is to have experiences; every book changes my life at least a little bit. The first time I can remember this happening was when I was 10, with a biography of Thomas Edison.
Good novels are produced by people who voluntarily isolate themselves and go deep, and report from the depths on what they find.
If you have not had direct firsthand experience of loving a category of person - a person of a different race, a profoundly religious person, things that are real stark differences between people - I think it is very hard to dare, or necessarily even want, to write fully from the inside of a person.
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It was a meditation on life, love, old age, death: ideas that had often fluttered around her head like nocturnal birds but dissolved into a trickle of feathers when she tried to catch hold of them.
We just have to recognize life for what it is: a gift to be grateful for, not a property to cling to, hoard, or defend.
Life can't defeat a writer who is in love with writing, for life itself is a writer's lover until death.
I felt a haunting loneliness sometimes, and felt it in others--young clerks in the dusk, wasting the most poignant moments of night and life.
The biggest mistake we make is trying to square the way we feel about something today with the way we felt about it yesterday. You shouldn’t even bother doing it. You should just figure out the way you feel today and if it happens to comply with what you thought before, fine. If it contradicts it, whatever. Life goes on.
I wonder why I don't go to bed and go to sleep. But then it would be tomorrow, so I decide that no matter how tired, no matter how incoherent I am, I can skip on hour more of sleep and live.