One can acquire everything in solitude except character.
StendhalRead
It is the nobility of their style which will make our writers of 1840 unreadable forty years from now.
Interpretation
Writing styles can become outdated, and what is considered noble or elegant can lead to future unreadability.
Stendhal's quote highlights the inevitability of change in literary style, asserting that what is highly regarded in one era may not resonate with future generations. It reflects the idea that the grandeur of a writer's style may contribute to their works becoming inaccessible, as evolving tastes and cultural shifts redefine what is deemed readable or valuable in literature over time.
In practice
In a literary seminar discussing how styles have shifted over decades.
One can acquire everything in solitude except character.
True love makes the thought of death frequent, easy, without terrors; it merely becomes the standard of comparison, the price one would pay for many things.
In love, unlike most other passions, the recollection of what you have had and lost is always better than what you can hope for in the future.
A very small degree of hope is sufficient to cause the birth of love.
If you don't love me, it does not matter, anyway I can love for both of us.
Pleasure is often spoiled by describing it.
Writers of feminist dystopian fiction are alert to the realities that grind down women's lives, that make the unthinkable suddenly thinkable.
All good books have one thing in common - they are truer than if they had really happened.
I defy anyone to finish Halldor Laxness's 'Independent People' without wetting the pages with tears.
Is there anything in the world better than words on the page? Magic signs, the voices of the dead, building blocks to make wonderful worlds better than this one, comforters, companions in loneliness. Keepers of secrets, speakers of the truth...all those glorious words.
I wrote The Grapes of Wrath in one hundred days, but many years of preparation preceded it.
THE WRITER can get free of his writing only by using it, that is, by reading oneself. As if the aim of writing were to use what is already written as a launching pad for reading the writing to come. Moreover, what he has written is read in the process, hence constantly modified by his reading. The book is an unbearable totality. I write against a background of facets.
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