Love, whether newly born, or aroused from a deathlike slumber, must always create sunshine, filling the heart so full of radiance, this it overflows upon the outward world.
Nathaniel HawthorneRead
Nobody, I think, ought to read poetry, or look at pictures or statues, who cannot find a great deal more in them than the poet or artist has actually expressed. Their highest merit is suggestiveness.
Interpretation
Art and poetry should be interpreted on a personal level, transcending the artist's original intent.
Nathaniel Hawthorne emphasizes the importance of personal interpretation in art and poetry. He suggests that the true value of these forms lies in their ability to evoke deeper meanings and emotions in the viewer or reader, beyond what the creator may have explicitly expressed. This notion of suggestiveness allows for a richer, more subjective experience of art.
In practice
In a lecture about the importance of personal connection to art, this quote could illustrate how individuals can derive unique meanings from artworks.
Love, whether newly born, or aroused from a deathlike slumber, must always create sunshine, filling the heart so full of radiance, this it overflows upon the outward world.
A bodily disease which we look upon as whole and entire within itself, may after all, be but a symptom of some ailment in the spiritual part.
All merely graceful attributes are usually the most evanescent.
There is so much wretchedness in the world, that we may safely take the word of any mortal professing to need our assistance; and, even should we be deceived, still the good to ourselves resulting from a kind act is worth more than the trifle by which we purchase it.
Let men tremble to win the hand of woman, unless they win along with it the utmost passion of her heart! Else it may be their miserable fortune, when some mightier touch than their own may have awakened all her sensibilities, to be reproached even for the calm content, the marble image of happiness, which they will have imposed upon her as the warm reality.
The thing you set your mind on is the thing you ultimately become.
The good critic is he who relates the adventures of his soul among masterpieces.
And before I'd got to the end of the first paragraph, I'd come up slap bang against a fundamental problem that still troubles me today whenever I begin a story, and it's this: where am I telling it from?
The power of art is that it can connect us to one another, and to larger truths about what it means to be alive and what it means to be human.
I would like, if I can, to broaden the possibilities of the musical theater. I think there's a better 'Oklahoma!' someplace, a better 'West Side Story.' And I'd like to be mixed up in it.
What critics call dirty in our pictures, they call lusty in foreign films.
I do not have many things that are meaningful to me. Except my doubts and my fears. And my art.
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