As nonhuman animals, plants, and even 'inanimate' rivers once spoke to our oral ancestors, so the ostensibly “inert” letters on the page now speak to us! This is a form of animism that we take for granted, but it is animism nonetheless - as mysterious as a talking stone.
Interpretation
The quote emphasizes how nonhuman entities have a presence and voice that we often overlook.
David Abram's quote reflects the concept of animism, suggesting that all elements of nature—be they animals, plants, or even inanimate objects like rivers and letters—possess a form of vitality and communication. This perspective urges us to recognize and appreciate the interconnectedness of all beings and entities, encouraging a deeper understanding of our relationship with the world around us.
In practice
During a nature conservation speech, one could use this quote to illustrate our relationship with the environment.
For the Amahuaca, the Koyukon, the Apache, and the diverse Aboriginal peoples of Australia - as for numerous other indigenous peoples - the coherence of human language is inseparable from the coherence of the surrounding ecology, from the expressive vitality of the more-than-human terrain. It is the animate earth that speaks; human speech is but a part of that vaster discourse.
Does the human intellect, or "reason," really spring us free from our inherence in the depths of this wild proliferation of forms? Or on the contrary, is the human intellect rooted in, and secretly borne by, our forgotten contact with the multiple nonhuman shapes that surround us on every hand?
Only as the written text began to speak would the voices of the forest, and of the river, begin to fade. And only then would language loosen its ancient association with the invisible breath, the spirit sever itself from the wind, the psyche dissociate itself from the environing air.
No event for the Koyukon - or for most other indigenous peoples - is ever entirely meaningless or accidental, but neither is any event entirely predetermined or fated. Rather like the trickster, Raven, who first gave it its current form, the sensuous world is a spontaneous, playful and dangerous mystery in which we participate, an articulate and improvisational field of powers ever responsive to human actions and spoken words.
The telling of stories, like singing and praying, would seem to be an almost ceremonial act, an ancient and necessary mode of speech that tends the earthly rootedness of human language. For narrated events always happen somewhere. And for an oral culture, that location is never merely incidental to those occurrences. The events belong, as it were, to the place, and to tell the story of those events is to let the place itself speak through the telling.
Such reciprocity is the very structure of perception. We experience the sensuous world only by rendering ourselves vulnerable to that world. Sensory perception is this ongoing interweavement: the terrain enters into us only to the extent that we allow ourselves to be taken up within that terrain.
I do not regard a broker as a member of the human race.
It felt to me like America was always wanting to resolve things too quickly, without thinking through what the costs and consequences would be and how that affects an individual living in that world. Then as I grew up and went about my life, I think I just got more and more interested in that gray area where things are not so easily quantified.
By my existence I am nothing more than an empty place, an outline,that is reserved within being in general. Given with it, though, is the duty to fill in this empty place. That is my life.
There are two infinities that confuse me: the one in my soul devours me; the one around me will crush me
Tomorrow you may bring about the destruction of your world. Tomorrow you may sing in Paradise above the smoking ruins of your world-cities. But tonight I would like to think of one man, a lone individual, a man without name or country, a man whom I respect because he has absolutely nothing in common with you - MYSELF. Tonight I shall meditate upon that which I am.
The highwayman takes solely upon himself the responsibility, danger, and crime of his own act. He does not pretend that he has any rightful claim to your money, or that he intends to use it for your own benefit ... Furthermore, having taken your money, he leaves you, as you wish him to do ... He does not keep "protecting" you by commanding you to bow down and serve him; by requiring you to do this, and forbidding you to do that.
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