You can understand nothing about art, particularly modern art, if you do not understand that imagination is a value in itself.
Interpretation
Art is valued not only for its aesthetic but also for the imaginative process behind it.
Milan Kundera emphasizes the significance of imagination in understanding art, particularly modern art. He suggests that to truly appreciate art, one must recognize that the imaginative aspect is a valuable element on its own, separate from traditional notions of beauty or technique.
In practice
During an art class, to inspire students to explore their creativity.
Which doesn't mean, of course, that I'd stopped loving her, that I'd forgotten her, or that her image had paled; on the contrary; in the form of a quiet nostalgia she remained constantly within me; I longed for her as one longs for something definitively lost.
Facts mean little compared to attitudes. To contradict rumor or sentiment is as futile as arguing against a believer's faith in the Immaculate Conception. You have simply become a victim of faith, Comrade Assistant.
While people are fairly young and the musical composition of their lives is still in its opening bars, they can go about writing it together and sharing motifs (the way Tomas and Sabina exchanged the motif of the bowler hat), but if they meet when they are older, like Franz and Sabina, their musical compositions are more or less complete, and every motif, every object, every word means something different to each of them.
Mankind's true moral test, its fundamental test (which lies deeply buried from view), consists of its attitude towards those who are at its mercy: animals. And in this respect mankind has suffered a fundamental debacle, a debacle so fundamental that all others stem from it.
To sit with a dog on a hillside on a glorious afternoon is to be back in Eden, where doing nothing was not boring - it was peace.
Sensuality is the total mobilization of the senses: an individual observes his partner intently, straining to catch every sound.
I dance for no reason, for reasons you can't dance, Call me an activist of intellectualized circumstance You can't learn my steps until you unlearn your thoughts Spirit, soul, can't be store-bought.
The job of the novelist is to invent: to embroider, to color, to embellish, to entertain, to make things up. The art of what I do lies not in research or even recollection but primarily in invention.
When people say that moviegoing is dead, I go, 'OK, so the makers of 'Get Out' should've sold that movie to a platform? Then they don't have this insane, crazy success theatrically all over the world.'
There were so few examples of Asian or Asian-American lead characters on American TV or even in the movies. And the ones that have existed for so long were either stereotypical or offensive in some way, or just not reflective of the lives of people in the community.
One of the grotesqueries of present-day American life is the amount of reasoning that goes into displaying the wisdom secreted in bad movies while proving that modern art is meaningless. They have put into practice the notion that a bad art work cleverly interpreted according to some obscure Method is more rewarding than a masterpiece wrapped in silence.
One man writes a novel. One man writes a symphony. It is essential that one man make a film.
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