My whole life has been nothing more than a continuous struggle against Reaction and the death of art.
Pablo PicassoRead
In drawing, nothing is better than the first attempt.
Interpretation
The first attempt in drawing is pure and unfiltered, capturing authenticity.
Pablo Picasso suggests that the initial attempt at drawing holds a unique value as it reflects the artist's raw instincts and creativity. Subsequent attempts may introduce concerns about perfection or adherence to standards, while the first attempt is often unrestrained and genuine, embodying the essence of artistic expression.
In practice
This quote can be shared during an art class to encourage students to embrace their initial sketches.
My whole life has been nothing more than a continuous struggle against Reaction and the death of art.
Painting is just another way of keeping a diary.
He can who thinks he can, and he can't who thinks he can't. This is an inexorable, indisputable law.
You have to have an idea of what you are going to do, but it should be a vague idea.
I paint the way someone bites his fingernails; for me, painting is a bad habit because I don't know nor can I do anything else.
The older you get the stronger the wind gets - and it's always in your face.
Anything you are shows up in your music - jazz is whatever you are, playing yourself, being yourself, letting your thoughts come through.
To ask an author who hopes to be a serious writer if his work is autobiographical is like asking a spider where he buys his thread. The spider gets his thread right out of his own guts, and that is where the author gets his writing.
Way before we were scratching pictures on caves or beating rhythms on hollow trees we were perfecting the art of combining our breath and mind and muscles into fluid self-propulsion over wild terrain.
The essential is to excite the spectators. If that means playing Hamlet on a flying trapeze or in an aquarium, you do it.
Usually in theater, the visual repeats the verbal. The visual dwindles into decoration. But I think with my eyes. For me, the visual is not an afterthought, not an illustration of the text. If it says the same thing as the words, why look? The visual must be so compelling that a deaf man would sit though the performance fascinated.
But in the next world I shan't be doing music, with all the striving and disappointments. I shall be being it.
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