The deepest quality of a work of art will always be the quality of the mind of the producer...No good novel will ever proceed from a superficial mind.
Henry JamesRead
Nothing, of course, will ever take the place of the good old fashion of 'liking' a work of art or not liking it; the more improved criticism will not abolish that primitive, that ultimate, test.
Interpretation
Art appreciation is fundamentally subjective and cannot be replaced by any form of criticism.
Henry James emphasizes that the personal experience of liking or disliking art is irreplaceable and will always be the ultimate standard of judgment, regardless of advancements in criticism or analysis. This highlights the intrinsic, emotional response individuals have toward art, which transcends any objective evaluation or critique.
In practice
In an art appreciation class, to emphasize personal taste: 'As Henry James said, nothing can replace how we individually like a work of art.'
The deepest quality of a work of art will always be the quality of the mind of the producer...No good novel will ever proceed from a superficial mind.
What is character but the determination of incident? What is incident but the illustration of character?
Never say you know the last word about any human heart.
I adore adverbs; they are the only qualifications I really much respect.
We care what happens to people only in proportion as we know what people are.
A swift carriage, of a dark night, rattling with four horses over roads that one can’t see--that’s my idea of happiness.
We read and remember certain writers because they offer distinctive voices and perspectives, because they've given themselves over completely and passionately to their obsessions while vigorously ignoring everything else.
Theatre is fake... The knife is not real, the blood is not real, and the emotions are not real. Performance is just the opposite: the knife is real, the blood is real, and the emotions are real.
If I choose to write about sheep, it's just because I happened to write about sheep. There is no deep significance.
Without music to decorate it, time is just a bunch of boring production deadlines or dates by which bills must be paid.
All these tales of people sitting down and composing symphonies just as though they were writing a letter are very much exaggerated; at least, it isn't that way in my work.
I wanted to invent some kind of American dance that was danced to the music that I grew up on: Cole Porter and Rodgers and Hart and Irving Berlin. So I evolved a style that certainly didn't catch on right away - but I had some good mentors in New York who encouraged me.
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