. . . We love fog because it shifts old anomalies into the elements surrounding them. It gives relief from a way of seeing
Eavan BolandRead
There is nothing settled about a poet's identity. The becoming doesn't stop because the being has been achieved. They proceed together, attached in ways that are hard to be exact about.
Interpretation
A poet's identity is an ongoing journey of growth and change, even after achieving recognition.
Eavan Boland's quote emphasizes that a poet's identity is not a fixed state but rather a continuous process of evolution. Even after a poet has established themselves, their journey of becoming is intertwined with their existence, suggesting that art is a dynamic interplay of experience, growth, and introspection.
In practice
In a poetry workshop, to inspire participants to embrace their evolving identities as poets.
. . . We love fog because it shifts old anomalies into the elements surrounding them. It gives relief from a way of seeing
Poetry begins where language starts: in the shadows and accidents of one person’s life.
When I was young, I struggled with authorship: with everything the word meant and failed to mean. Irish poetry was heavy with custom. Sometimes at night, when I tried to write, a ghost hand seemed to hold mine. Where could my life, my language fit in?
If a poet does not tell the truth about time, his or her work will not survive it. Past or present, there is a human dimension to time, human voices within it, and human griefs ordained by it.
Our present will become the past of other men and women. We depend on them to remember it with the complexity with which it was suffered. As others, once, depended on us.
As far as I was concerned, it was the absence of women in the poetic tradition which allowed women in the poems to be simplified. The voice of a woman poet would, I was sure, have precluded such distortion. It did not exist.
If I wanted to make a quick buck, there's far easier ways of doing it. What I want is to provoke people. If you want a hit song, all you need to do is rewrite an old song. It might have been proven to work, but you won't be remembered the same way.
The poets who have written the best poems about war seem to be the poets whose countries have experienced an invasion or vicious dictatorships.
Say anything you want against The Seventh Seal. My fear of death - this infantile fixation of mine - was, at that moment, overwhelming. I felt myself in contact with death day and night, and my fear was tremendous. When I finished the picture, my fear went away. I have the feeling simply of having painted a canvas in an enormous hurry - with enormous pretension but without any arrogance. I said, 'Here is a painting; take it, please.'
Write as the wind blows and command all words like an army!
We know there are poets who are chosen: by what or whom, we no more know than what lies beyond our final breath, or what caused a certain action which resulted in the fulfillment or the desecration and collapse of what we most cared for in life.
My boobs are fake, my hair's fake but what is real is my voice and my heart.
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