The more research you do, the more at ease you are in the world you're writing about. It doesn't encumber you, it makes you free.
A. S. ByattRead
If a novelist tells you something she knows or thinks, and you believe her, that is not because either of you think she is God, but because she is doing her work - as a novelist.
Interpretation
A novelist's truth is rooted in their craft, not in divinity.
This quote highlights the idea that the connection and belief readers have with a novelist's work stem from the author's authentic representation of their knowledge and thoughts through storytelling. It emphasizes the role of the novelist as a professional creator rather than a divine figure, suggesting that the value of their work is in their dedication to craft and the truth they convey through it.
In practice
In a speech about the importance of literature, one might use this quote to emphasize the value of the author's perspective.
The more research you do, the more at ease you are in the world you're writing about. It doesn't encumber you, it makes you free.
It's because I'm a feminist that I can't stand women limiting other women's imaginations. It really makes me angry.
Why do we take pleasure in gruesome death, neatly packaged as a puzzle to which we may find a satisfactory solution through clues - or if we are not clever enough, have it revealed by the all-powerful tale-teller at the end of the book? It is something to do with being reduced to, and comforted by, playing by the rules.
Never stop paying attention to things. Never make your mind up finally. Do not hold beliefs.
Only write to me, write to me, I love to see the hop and skip and sudden starts of your ink.
I am a creature of my pen. My pen is the best of me.
And I think as long as a song has beautiful lyrics, I'm so happy.
I work very deliberately, with a plan. But sometimes I come to a point that I planned as the end and it needs softening. Ending a novel is almost like putting a child to sleep - it can't be done abruptly.
Tea is a work of art and needs a master hand to bring out its noblest qualities. We have good and bad teas, as we have good and bad paintings - generally the latter.
Robert Rauschenberg was not a giant of American art; he was the giant. No American created so many aesthetic openings for so many artists.
An artist's saddest secrets are those that have to do with his artistry.
Art is on the side of the oppressed. Think before you shudder at the simplistic dictum and its heretical definition of the freedom of art. For if art is freedom of the spirit, how can it exist within the oppressors?
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