Writing for children is bloody difficult; books for children are as complex as their adult counterparts, and they should therefore be accorded the same respect.
Mark HaddonRead
As to the number of novels I've abandoned... I shudder to think. I have thrown away five completed novels, and that's a gruesome enough figure. But not necessarily a waste of effort.
Interpretation
Abandoning creative work can be painful, but it is not always wasted effort.
This quote reflects on the author's experiences with writing, emphasizing that while it is disheartening to discard completed novels, the effort expended in the creative process should not be viewed as futile. Instead, every attempt contributes to personal growth and skill development, even if the end product is not utilized.
In practice
In a writing workshop discussing the importance of perseverance in creative endeavors.
Writing for children is bloody difficult; books for children are as complex as their adult counterparts, and they should therefore be accorded the same respect.
At twenty life was like wrestling an octopus. Every moment mattered. At thirty it was a walk in the country. Most of the time your mind was somewhere else. By the time you got to seventy, it was probably like watching snooker on the telly.
And Father said, "Christopher, do you understand that I love you?" And I said "Yes," because loving someone is helping them when they get into trouble, and looking after them, and telling them the truth, and Father looks after me when I get into trouble, like coming to the police station, and he looks after me by cooking meals for me, and he always tells me the truth, which means that he loves me.
From a good book, I want to be taken to the very edge. I want a glimpse into that outer darkness.
And I know I can do this because I went to London on my own, and because I solved the mystery…and I was brave and I wrote a book and that means I can do anything.
At 20, 25, 30, we begin to realise that the possibilities of escape are getting fewer. We have jobs, children, partners, debts. This is the part of us to which literary fiction speaks.
Writing a book is an adventure. To begin with it is a toy and an amusement. Then it becomes a mistress, then it becomes a master, then it becomes a tyrant. The last phase is that just as you are about to be reconciled to your servitude, you kill the monster and fling him to the public.
So they were turning, after all - those cameras. Life, which can be strangely merciful, had taken pity on Norma Desmond. The dream she had clung to so desperately had enfolded her. Norma: You see, this is my life. It always will be! (In a whisper) There's nothing else - just us - and the cameras - and those wonderful people out there in the dark. All right, Mr. De Mille, I'm ready for my close-up.
But all art is sensual and poetry particularly so. It is directly, that is, of the senses, and since the senses do not exist without an object for their employment all art is necessarily objective. It doesn't declaim or explain, it presents.
Writing is a demanding profession and a selfish one. And because it is selfish and demanding, because it is compulsive and exacting, I didn't embrace it. I succumbed to it.
Every child is an artist. The problem is how to remain an artist once we grow up.
There is a strange sort of reasoning in Hollywood that musicals are less worthy of Academy consideration than dramas. It's a form of snobbism, the same sort that perpetuates the idea that drama is more deserving of Awards than comedy.
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