All the knowledge I possess everyone else can acquire, but my heart is all my own.
Johann Wolfgang Von GoetheRead
Objects in pictures should so be arranged as by their very position to tell their own story.
Interpretation
The arrangement of objects in artwork is crucial for conveying a narrative.
Goethe emphasizes the importance of composition in art, suggesting that the way objects are positioned within a picture should inherently communicate a story or message. This principle reflects the belief that visual elements can speak volumes about the subject, making the arrangement itself an integral part of the narrative conveyed to the viewer.
In practice
An art class discussion about the techniques used in painting.
All the knowledge I possess everyone else can acquire, but my heart is all my own.
Destiny grants us our wishes, but in its own way, in order to give us something beyond our wishes.
There is a courtesy of the heart; it is allied to love. From its springs the purest courtesy in the outward behavior.
I am amazed to see how deliberately I have entangled myself step by step. To have seen my position so clearly, and yet to have acted so like a child!
Seldom in the business and transactions of ordinary life, do we find the sympathy we want.
Know thyself? If I knew myself I would run away.
I don't wait to be struck by lightning and I don't need certain slants of light in order to be able to write.
My method of getting a play across the footlights is like a revolver shooting: every line has a bullet in it and comes with an explosion.
Music is...the coordination between man and time.
Art has a way of confronting us, of reminding us, of engaging us, in what it means to be human, and what it means to be human is to be flawed, is to be contradictory, is to be often weak, and yet despite all of these what we would consider drawbacks, that we're also quite beautiful. Spin is the opposite.
The listener must be gripped and whether he likes it or not, drawn into the flight path of the sounds without special training being necessary. The sensual shock must be just as forceful as when one hears a clap of thunder or looks into a bottomless abyss
In art there are only fast or slow developments. Essentially it is a matter of evolution, not revolution.
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