There is no official censorship in literature, but I feel a certain fear when I see that a kind of self-censorship is developing in Poland. Authors are somehow afraid of expressing what they really think or feel because they fear political consequences.
Interpretation
The quote emphasizes the dangers of self-censorship and the fear of expressing true thoughts in the face of political repercussions.
Olga Tokarczuk highlights the subtle yet profound issue of self-censorship in literature, pointing out that while formal censorship may not exist, an environment of fear and political consequence can inhibit authors from freely expressing their thoughts and feelings. This fear can stifle creativity and undermine the integrity of literary expression, suggesting a deeper societal problem where authors must navigate their freedom of speech cautiously.
In practice
During a literary festival, one may quote this to discuss the importance of free expression among writers.
But the fact is we did have colonies in the east of Poland, we did have a slave economy there. But this is not common knowledge - or part of our national myth. It goes against the current romanticised view of the government, and much of the country, that Poles have always been victims, never oppressors.
My books are not 'political.' I don't make political demands. They actually describe life. But when we look at human life, politics creeps in everywhere.
I think that first-person narration is very characteristic of contemporary optics, in which the individual performs the role of subjective center of the world.
The world is a fabric we weave daily on the great looms of information, discussions, films, books, gossip, little anecdotes.
I first read Sigmund Freud's 'Beyond the Pleasure Principle' as a young girl, and it helped me to understand that there are thousands of possible ways to interpret our experience, that everything has a meaning, and that interpretation is the key to reality. This was the first step to becoming a writer.
Well-written novels make you more empathetic towards other people. You can identify with someone who isn't you. You can change your identity. A 14-year-old boy can become Anna Karenina. It is a miracle.
Impermanence is not something to be afraid of. It's the evolution, a never-ending horizon.
Historian: an unsuccessful novelist.
Part of the reason for the ugliness of adults, in a child's eyes, is that the child is usually looking upwards, and few faces are at their best when seen from below.
For as the aged, or those whose sight is defective, when any book, however fair, is set before them, though they perceive that there is something written, are scarcely able to make out two consecutive words, but, when aided by glasses, begin to read distinctly, so Scripture, gathering together the impressions of Deity, which, till then, lay confused in our minds, dissipates the darkness, and shows us the true God clearly.
It was his subconscious which told him this - that infuriating part of a person's brain which never responds to interrogation, merely gives little meaningful nudges and then sits humming quietly to itself, saying nothing.
No one would think he'd make such a beautiful corpse.
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