I am doomed to an eternity of compulsive work. No set goal achieved satisfies. Success only breeds a new goal. The golden apple devoured has seeds. It is endless.
Bette DavisRead
I have often seen an actor laugh off the stage, but I don't remember ever having seen one weep.
Interpretation
This quote reflects on the emotional contrast of actors' performances versus their real emotions.
Bette Davis's quote highlights the tendency of actors to project joy and laughter in their performances while rarely showing vulnerability or sadness in public. It suggests a deeper commentary on the nature of performance art, indicating that while actors may embody various characters' emotions on stage, their true feelings often remain hidden from the audience.
In practice
During a workshop on acting techniques, this quote can be used to discuss the difference between stage performance and real emotions.
I am doomed to an eternity of compulsive work. No set goal achieved satisfies. Success only breeds a new goal. The golden apple devoured has seeds. It is endless.
I have been uncompromising, peppery, intractable, monomaniacal, tactless, volatile, and oftentimes disagreeable... I suppose I'm larger than life.
Acting should be bigger than life. Scripts should be bigger than life. It should all be bigger than life.
Today everyone is a star - they're all billed as 'starring' or 'also starring'. In my day, we earned that recognition.
Once the love bug wears off, as it inevitably does, you are shocked to discover that you really didn't know the object of your affections at all. We know this to be so, even as we repeat the same mistake over and over and over.
If everybody likes you, you're pretty dull.
The challenge for a nonfiction writer is to achieve a poetic precision using the documents of truth but somehow to make people and places spring to life as if the reader was in their presence.
Something happens when you feel that energy and excitement from the audience. And you do, I don't know, four pirouettes. You jump higher than you ever have. And it's just this really magical thing that happens in those moments.
A painting is a symbol for the universe. Inside it, each piece relates to the other. Each piece is only answerable to the rest of that little world. So, probably in the total universe, there is that kind of total harmony, but we get only little tastes of it.
So What or Kind of Blue were done in that era, the right hour, the right day. It's over; it's on the record.
They teach you there's a boundary line to music. But, man, there's no boundary line to art.
I paint people, not because of what they are like, not exactly in spite of what they are like, but how they happen to be.
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