What is important is the moment of opening a life and feeling it touch--with an electric hiss and cry--this speckled mineral sphere, our present world.
Annie DillardRead
After the one extravagant gesture of creation in the first place, the universe has continued to deal exclusively in extravagances, flinging intricacies and colossi down aeons of emptiness, heaping profusions on profligacies with ever-fresh vigor. The whole show has been on fire from the word go. I come down to the water to cool my eyes. But everywhere I look I see fire; that which isn't flint is tinder, and the whole world sparks and flames.
Interpretation
The universe is rich with extraordinary and complex beauty, igniting wonder and inspiration.
Annie Dillard's quote reflects on the magnificence of the universe, depicting it as a continual source of extravagance and complexity. The imagery of fire symbolizes the vibrant and dynamic nature of existence, suggesting that every aspect of the world is alive with potential and energy, constantly inspiring awe and contemplation in those who observe it.
In practice
This quote can be used in a speech about the wonders of the natural world.
What is important is the moment of opening a life and feeling it touch--with an electric hiss and cry--this speckled mineral sphere, our present world.
Geography is the key, the crucial accident of birth. A piece of protein could be a snail, a sea lion, or a systems analyst, but it had to start somewhere. This is not science; it is merely metaphor. And the landscape in which the protein "starts" shapes its end as surely as bowls shape water.
Buddhism notes that it is always a mistake to think your soul can go it alone.
Similarly, the impulse to keep to yourself what you have learned is not only shameful, it is destructive. Anything you do not give freely and abundantly becomes lost to you. You open your safe and find ashes.
It is difficult to undo our own damage, and to recall to our presence that which we have asked to leave. It is hard to desecrate a grove and change your mind. The very holy mountains are keeping mum. We doused the burning bush and cannot rekindle it; we are lighting matches in vain under every green tree.
To crank myself up I stood on a jack and ran myself up. I tightened myself like a bolt. I inserted myself in a vise-clamp and wound the handle till the pressure built. I drank coffee in titrated doses. It was a tricky business, requiring the finely tuned judgment of a skilled anesthesiologist. There was a tiny range within which coffee was effective, short of which it was useless, and beyond which, fatal.
Tis a morning pure and sweet, And a dewy splendour falls On the little flower that clings To the turrets and the walls; 'Tis a morning pure and sweet, And the light and shadow fleet; She is walking in the meadow, And the woodland echo rings; In a moment we shall meet; She is singing in the meadow, And the rivulet at her feet Ripples on in light and shadow To the ballad that she sings.
Mother, mother ocean, I have heard you call. Wanted to sail upon your waters, since I was three feet tall. You've seen it all, you've seen it all. Watched the men who rode you, switch from sails to steam. In your belly, you hold the treasure that few have ever seen, most of them dreams, most of them dreams.
Once upon a time, when women were birds, there was the simple understanding that to sing at dawn, and to sing at dusk, was to heal the world through joy. The birds still remember what we have forgotten, that the world is meant to be celebrated.
At about 10 o'clock in the morning the sun threw a bright dust-laden bar through one of the side windows and in and out of the beam flies shot like rushing stars.
This much is certain: We have the power to damage the sea, but no sure way to heal the harm.
I'm haunted by the thought of what Ray Anderson calls 'tomorrow's child,' asking why we didn't do something on our watch to save sharks and bluefin tuna and squids and coral reefs and the living ocean while there still was time. Well, now is that time.
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