One of my fears is not writing. I don't know how to do anything else.
Interpretation
The quote expresses a deep anxiety about not being able to write, highlighting the personal significance of writing in one's life.
Paul Theroux's quote reflects a profound connection between the individual and their craft, emphasizing that writing is not just a skill but an integral part of identity. The fear of not being able to write suggests a vulnerability and a sense of loss, as it indicates that the speaker feels they lack other means of self-expression or fulfillment.
In practice
During a writing workshop, when discussing the importance of writing in one's life.
Notice how many of the Olympic athletes effusively thanked their mothers for their success? βShe drove me to my practice at four in the morning,β etc. Writing is not figure skating or skiing. Your mother will not make you a writer. My advice to any young person who wants to write is: leave home.
I'm not pessimistic about Africa. The cities just seem big and hopeless. But there's still a great green heart where there's possibility. There's hope in the wilderness.
I can't predict how reading habits will change. But I will say that the greatest loss is the paper archive - no more a great stack of manuscripts, letters, and notebooks from a writer's life, but only a tiny pile of disks, little plastic cookies where once were calligraphic marvels.
When I was in the Peace Corps I never made a phone call. I was in Central Africa; I didn't make a phone call for two years. I was in Uganda for another four years and I didn't make a phone call. So for six years I didn't make a phone call, but I wrote letters, I wrote short stories, I wrote books.
Death is an endless night so awful to contemplate that it can make us love life and value it with such passion that it may be the ultimate cause of all joy and all art.
The wish to travel seems to me characteristically human: the desire to move, to satisfy your curiosity or ease your fears, to change the circumstances of your life, to be a stranger, to make a friend, to experience an exotic landscape, to risk the unknown.
Designers want me to dress like Spring, in billowing things. I don't feel like Spring. I feel like a warm red Autumn.
They say that to be a writer you must first have an unhappy childhood. I don't know if unhappiness is necessary, but I think maybe some children who have suffered a loss too great for words grow up into writers who are always trying to find those words, trying to find a meaning for the way they have lived
The reverie we intend to study is poetic reverie. This is a reverie which poetry puts on the right track, the track an expanding consciousness follows. This reverie is written, or, at least, promises to be written. It is already facing the great universe of the blank page. Then images begin to compose and fall into place.
Look at a football field. It looks like a big movie screen. This is theatre. Football combines the strategy of chess. It's part ballet. It's part battleground, part playground. We clarify, amplify and glorify the game with our footage, the narration and that music, and in the end create an inspirational piece of footage.
My art will reflect not necessarily conscious politics but the unanalysed politics of my life.
For me, it's about making art that's not good but phenomenal. James Baldwin didn't want to just stay above the fray. Prince didn't think, 'I wonder what the industry is gonna think about 'Purple Rain.'' It's just, is this honest? Is this real? Does this move me? The rest is icing.
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