When you hear Bach or Mozart, you hear perfection. Remember that Bach, Mozart and Beethoven were great improvisers. I can hear that in their music.
Dave BrubeckRead
One of the reasons I believe in jazz is that the oneness of man can come through the rhythm of your heart. It’s the same anyplace in the world, that heartbeat. It’s the first thing you hear when you’re born — or before you’re born — and it’s the last thing you hear.
Interpretation
The quote expresses the idea that music, specifically jazz, connects all humans through a shared heartbeat and rhythm.
Dave Brubeck highlights the universal nature of music, particularly jazz, as a means to express our shared humanity. He suggests that from the moment we are born, the rhythm of our heartbeat is a vital connection that transcends all boundaries, and music serves as a powerful reminder of this oneness among people everywhere.
In practice
In a speech at a music festival about the power of jazz to unite people.
When you hear Bach or Mozart, you hear perfection. Remember that Bach, Mozart and Beethoven were great improvisers. I can hear that in their music.
I knew even if I'm a cowboy, I'm going to be involved in jazz in some way.
What I want to happen is to be really creative, and to play something new in the improvisations, every time.
Many people don't understand how disciplined you have to be to play jazz... And that is really the idea of democracy - freedom within the Constitution or discipline. You don't just get out there and do anything you want.
I’m beginning to understand myself. But it would have been great to be able to understand myself when I was 20 rather than when I was 82.
I got a poster from Columbia Records, and there's Miles Davis, Charlie Mingus, Ellington, Count Basie - everybody in that poster has died, I'm the only one left. And great players like Paul Desmond and Gerry Mulligan, it's hard to believe they're gone because we were all so close. But I believe in the future and the tradition will go on.
When I was young and very green, I worte that tune, Sister Kate, and someone said that's fine, let me publish it for you. I'll give you fifty dollars. I didn't know nothing about papers, and business, and I sold it outright.
I can't think of a greater guitar icon than someone who has the musical intellect to change what was there before and take music in another direction. That's a guitar hero for me.
In this day and time you can't even get sick; you are strung-out! Well by God, I'll tell you something, friend: I have never been strung-out in my life, except on music!
I felt very proud to be part of a music scene that was changing the face of commercial music and rock music internationally, but I also felt like it was necessary for Soundgarden - as it was for all of these Seattle bands - to prove that we deserve to be on an international stage, and we weren't just part of a fad that was based on geography.
I only knew classical music, which to me was the only true music. The only way I could survive at the bar was to mix the classical music with popular songs, and that meant I had to sing. What happened was that I discovered I had a voice plus the talent to mix classical music together with more popular songs, which at the time I detested.
I respected Ella Fitzgerald, Nat King Cole and Frank Sinatra. Those were my heroes, and they were 10 years older than I was.
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