Cubism did not accept the logical consequences of its own discoveries; it was not developing abstraction towards its own goal, the expression of pure reality.
Piet MondrianRead
One can rightly speak of an evolution in plastic art. It is of the greatest importance to note this fact, for it reveals the true way of art - the only path along which we can advance.
Interpretation
Art evolves over time, and recognizing this change is essential for true artistic progression.
In this quote, Piet Mondrian emphasizes the importance of evolution in the realm of plastic art, suggesting that understanding and acknowledging the changes and advancements in artistic expression is crucial for growth and development in the field of art. He suggests that this awareness reveals the genuine direction in which art should progress, highlighting that innovation and adaptability are key to artistic advancement.
In practice
In a lecture about modern art movements, one could use this quote to highlight how artistic styles change over time.
Cubism did not accept the logical consequences of its own discoveries; it was not developing abstraction towards its own goal, the expression of pure reality.
I think you too recognize the important relationship between philosophy and art, and it is just this relationship that most painters deny. The great masters do grasp it, unconsciously; but I believe that a painter's conscious spiritual knowledge will have a much greater influence upon his art, and that it would be due only to a weakness in him, or lack of genius, should this spiritual knowledge be harmful to his art.
Experience was my only teacher; I knew little of the modern art movement. When I first saw the works of the Impressionists, van Gogh, van Dongen, and Fauves, I admired it. But I had to seek the true way alone.
Vertical and horizontal lines are the expression of two opposing forces; they exist everywhere and dominate everything; their reciprocal action constitutes 'life'. I recognized that the equilibrium of any particular aspect of nature rests on the equivalence of its opposites.
The emotion of beauty is always obscured by the appearance of the object. Therefore, the object must be eliminated from the picture.
The truly modern artist is aware of abstraction in an emotion of beauty.
We're told that independent film lovers... folks that are used to watching art house films, won't come out and see a film with black people in it - I've been told that in rooms, big rooms, studio rooms, and I know that's not true.
As a dancer, you really try to stay true to whatever the choreographer/artistic director is giving you. So, now the shoe is on the other foot and I have to trust everyone else - I have to trust the dancer. As I was trusted as a dancer, I trust my dancers.
I love to draw-pencil, ink pen-I love art. When I go on tour and visit museums in Holland, Germany or England-you know those huge paintings?-I'm just amazed. You don't think a painter could do something like that. I can look at a piece of sculpture or a painting and totally lose myself in it.
When the weather's rough and it's whiskey in the rain it's best to wrap your savior up in cellophane.
My poems tend to have rhetorical structures; what I mean by that is they tend to have a beginning, a middle, and an end. There tends to be an opening, as if you were reading the opening chapter of a novel. They sound like I'm initiating something, or I'm making a move.
If you consider film an art form, as some people do, then the Western would be a truly American art form, much as jazz is.
Subscribe for the occasional hand-picked quote. No noise.