Cubism did not accept the logical consequences of its own discoveries; it was not developing abstraction towards its own goal, the expression of pure reality.
Piet MondrianRead
One can rightly speak of an evolution in plastic art. It is of the greatest importance to note this fact, for it reveals the true way of art - the only path along which we can advance.
Interpretation
Art evolves over time, and recognizing this change is essential for true artistic progression.
In this quote, Piet Mondrian emphasizes the importance of evolution in the realm of plastic art, suggesting that understanding and acknowledging the changes and advancements in artistic expression is crucial for growth and development in the field of art. He suggests that this awareness reveals the genuine direction in which art should progress, highlighting that innovation and adaptability are key to artistic advancement.
In practice
In a lecture about modern art movements, one could use this quote to highlight how artistic styles change over time.
Cubism did not accept the logical consequences of its own discoveries; it was not developing abstraction towards its own goal, the expression of pure reality.
I think you too recognize the important relationship between philosophy and art, and it is just this relationship that most painters deny. The great masters do grasp it, unconsciously; but I believe that a painter's conscious spiritual knowledge will have a much greater influence upon his art, and that it would be due only to a weakness in him, or lack of genius, should this spiritual knowledge be harmful to his art.
Experience was my only teacher; I knew little of the modern art movement. When I first saw the works of the Impressionists, van Gogh, van Dongen, and Fauves, I admired it. But I had to seek the true way alone.
Vertical and horizontal lines are the expression of two opposing forces; they exist everywhere and dominate everything; their reciprocal action constitutes 'life'. I recognized that the equilibrium of any particular aspect of nature rests on the equivalence of its opposites.
The emotion of beauty is always obscured by the appearance of the object. Therefore, the object must be eliminated from the picture.
The truly modern artist is aware of abstraction in an emotion of beauty.
I write entirely to find out what I'm thinking, what I'm looking at, what I see and what it means. What I want and what I fear.
I keep guitars that are, you know, the neck's a little bit bent and it's a little bit out of tune. I want to work and battle it and conquer it and make it express whatever attitude I have at that moment. I want it to be a struggle.
There comes a moment when it is no longer you who takes the photograph, but receives the way to do it quite naturally and fully.
The theater requires an essential gullibility that you can't get through life without having. If all you can feel is skepticism-well , you meet people like this. Run away from them. They're not good people.
A good solo is like a book. It will start out in a phrase, it will go on in paragraphs, and then it will have a great ending.
I like the feeling of words doing as they want to do and as they have to do.
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