The one thing that seems to be consistent through all my work that I like, and I experimented a lot, is the viewer is allowed to meditate on something that normally we don't stop and stare at, whether it's people or a cactus.
Whatever else a photograph may be about, it is always about time. - Richard Misrach
Whatever else a photograph may be about, it is always about time.
- Richard Misrach
The desert ... may serve better as the backdrop for the problematic relationship between man and the environment. The human struggle, the successes .… - Richard Misrach
The desert ... may serve better as the backdrop for the problematic relationship between man and the environment. The human struggle, the successes .…
I think this is the most exciting time in the history of photography. Technology is expanding what photographers can do, like the microscope and the … - Richard Misrach
I think this is the most exciting time in the history of photography. Technology is expanding what photographers can do, like the microscope and the …
I am not unaware that I have the mindset, as contradictory as it may sound, to discover in the world what I am in fact looking for. Perhaps the best … - Richard Misrach
I am not unaware that I have the mindset, as contradictory as it may sound, to discover in the world what I am in fact looking for. Perhaps the best …
In spite of recent trends towards fabricating photographic narratives, I find, more than ever, traditional photographic capture, the 'discovery' of f… - Richard Misrach
In spite of recent trends towards fabricating photographic narratives, I find, more than ever, traditional photographic capture, the 'discovery' of f…
I'm not interested into victim photography. Photographing people suffering and putting it on a museum wall is too weird. - Richard Misrach
I'm not interested into victim photography. Photographing people suffering and putting it on a museum wall is too weird.
Our experience with knowledge, the way we know things, is not that neat. It doesn't fit into a grand narrative, the way we've been taught to read. - Richard Misrach
Our experience with knowledge, the way we know things, is not that neat. It doesn't fit into a grand narrative, the way we've been taught to read.
To me, the work I do is a means of interpreting unsettling truths, of bearing witness, and of sounding an alarm. The beauty of formal representation … - Richard Misrach
To me, the work I do is a means of interpreting unsettling truths, of bearing witness, and of sounding an alarm. The beauty of formal representation …
... despite the limitations and problems inherent to photographic representation (and especially the representation of politics), it remains for me t… - Richard Misrach
... despite the limitations and problems inherent to photographic representation (and especially the representation of politics), it remains for me t…
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