You don't write because someone sets assignments! You write because you need to write, or because you hope someone will listen or because writing will mend something broken inside you or bring something back to life.
Joanne HarrisRead
One of the things that writing has taught me is that fiction has a life of its own. Fictional places are sometimes more real than the view from our bedroom window. Fictional people can sometimes become as close to us as our loved ones.
Interpretation
Fiction creates a vivid reality that can feel more genuine than our everyday experiences.
In this quote, Joanne Harris reflects on the profound power of fiction to shape our perceptions and connections. She suggests that the worlds and characters created in stories can resonate deeply with us, often feeling more significant than the immediate reality we experience in our own lives. Fiction, therefore, serves as a bridge between imagination and emotional truth, allowing us to form relationships with characters as if they were real people.
In practice
This quote can be used in a speech about the importance of literature in understanding human emotions.
You don't write because someone sets assignments! You write because you need to write, or because you hope someone will listen or because writing will mend something broken inside you or bring something back to life.
If you can still write in spite of the fact that you're not getting paid, that nobody cares about what you're writing, that nobody wants to publish it, that everybody is telling you to do something else, and you still want to and you still enjoy it and you can't stop doing it...then you're a writer.
If you can actually get someone to sit on the edge of their seat and feel nervous if there's a knock at the door, then you've done something pretty terrific as a writer.
It isn't just a village. The houses aren't just places to live. Everything belongs to everybody. Everyone belongs to everyone else. Even a single person can make a difference.
It is a widely accepted notion among painters that it does not matter what one paints as long as it is well painted. This is the essence of academicism.
The first work of the director is to set a mood so that the actor's work can take place, so that the actor can create. And in order to do that, you have to communicate, communicate with the actors. And direction is about communication on all levels.
Once an object has been incorporated in a picture it accepts a new destiny.
Ah, music," he said, wiping his eyes. "A magic far beyond all we do here! And now, bedtime. Off you trot!
To be of mixed blood is a great gift for a writer. I have one foot on tribal lands and one foot in middle-class life.
Filmmaking is exploring. Why would I want to make a film about something I already understand?
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