The word theatre comes from the Greeks. It means the seeing place. It is the place people come to see the truth about life and the social situation.
Stella AdlerRead
One way we can enliven the imagination is to push it toward the illogical. We're not scientists. We don't always have to make the logical, reasonable leap.
Interpretation
Imagination thrives on the unconventional and illogical rather than strictly logical reasoning.
Stella Adler emphasizes the importance of embracing the illogical and unconventional aspects of creativity. She suggests that while logic and reason are valuable, they can limit the boundaries of imagination, and true creativity often emerges when we allow ourselves to explore ideas that may not follow traditional paths of reasoning.
In practice
In a creative writing workshop, you might quote this to encourage participants to explore fantastical ideas.
The word theatre comes from the Greeks. It means the seeing place. It is the place people come to see the truth about life and the social situation.
The actor has to develop his body. The actor has to work on his voice. But the most important thing the actor has to work on is his mind.
The ideas of the great playwrights are almost always larger than the experiences of even the best actors.
The actor cannot afford to look only to his own life for all his material nor pull strictly from his own experience to find his acting choices and feelings.
The play is not in the words, it's in you!
When you stand on the stage you must have a sense that you are addressing the whole world, and that what you say is so important the whole world must listen.
The reason I play music is to touch people - for selfish reasons, as well. It feels good to make someone else feel something, whether it's a kiss, a painting, good idea or it's a song.
God does not ask for 'religious' art or 'Catholic' art. The art he wants for himself is Art, with all its teeth
As artists we are here to make you uncomfortable with the complexity of your reality.
And so when studying faces, we do indeed measure them, but as painters, not as surveyors.
Here's the truth you have to wrestle with: the reason that art (writing, engaging, leading, all of it) is valuable is precisely why I can't tell you how to do it. If there were a map, there'd be no art, because art is the act of navigating without a map. Don't you hate that? I love that there's no map.
Dogmatism of all kinds--scientific, economic, moral, as well as political--are threatened by the creative freedom of the artist. This is necessarily and inevitably so. We cannot escape our anxiety over the fact that the artists together with creative persons of all sorts, are the possible destroyer of our nicely ordered systems. (p. 76)
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