The word theatre comes from the Greeks. It means the seeing place. It is the place people come to see the truth about life and the social situation.
Stella AdlerRead
One way we can enliven the imagination is to push it toward the illogical. We're not scientists. We don't always have to make the logical, reasonable leap.
Interpretation
Imagination thrives on the unconventional and illogical rather than strictly logical reasoning.
Stella Adler emphasizes the importance of embracing the illogical and unconventional aspects of creativity. She suggests that while logic and reason are valuable, they can limit the boundaries of imagination, and true creativity often emerges when we allow ourselves to explore ideas that may not follow traditional paths of reasoning.
In practice
In a creative writing workshop, you might quote this to encourage participants to explore fantastical ideas.
The word theatre comes from the Greeks. It means the seeing place. It is the place people come to see the truth about life and the social situation.
The actor has to develop his body. The actor has to work on his voice. But the most important thing the actor has to work on is his mind.
The ideas of the great playwrights are almost always larger than the experiences of even the best actors.
The actor cannot afford to look only to his own life for all his material nor pull strictly from his own experience to find his acting choices and feelings.
The play is not in the words, it's in you!
When you stand on the stage you must have a sense that you are addressing the whole world, and that what you say is so important the whole world must listen.
For me, being a complete artist means not necessarily just being in front of the camera, but being behind the camera or being the originator or creator of something.
I am very much interested in the so-called useless object. I mean, it takes perfect craftsmanship, beautiful material carefully measured and crafted, but at the same time itβs really useless.
I'm a writer and, therefore, automatically a suspicious character.
Art doesn't go to sleep in the bed made for it. It would sooner run away than say its own name: what it likes is to be incognito. Its best moments are when it forgets what its own name is.
Artists love other artists. Shadow artists are gravitating to their rightful tribe but cannot yet claim their birthright. Very often audacity, not talent, makes one person an artist and another a shadow artist-hiding in the shadows, afraid to step out and expose the dream to the light, fearful that it will disintegrate to the touch.
In the early stages of creation of both art and science, everything in the mind is a story.
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