One will only be free when one plays and one's society will become a piece of art.
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The tangible source of exploitation disappears behind the façade of objective rationality.
Art cannot change the world, but it can contribute to changing the consciousness and drives of the men and women who could change the world.
The people recognize themselves in their commodities; they find their soul in their automobile, hi-fi set, split-level home, kitchen equipment.
The precarious ontological link between Logos and Eros is broken, and scientific rationality emerges as essentially neutral.
Most people are afraid of freedom. They are conditioned to be afraid of it.
Under the rule of a repressive whole, liberty can be made into a powerful instrument of domination.
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