In an oppressive society the truth-telling nature of literature is of a different order, and sometimes valued more highly than other elements in a work of art.
Interpretation
In oppressive societies, literature that reveals the truth is especially valued and impactful.
Julian Barnes suggests that in societies where oppression is prevalent, the role of literature as a medium for truth-telling becomes paramount. This truthfulness is often regarded as more significant than other artistic qualities, highlighting the essential power of words to challenge and expose injustice.
In practice
This quote can be used in a discussion about censorship in literature.
(on grief) And you do come out of it, that’s true. After a year, after five. But you don’t come out of it like a train coming out of a tunnel, bursting through the downs into sunshine and that swift, rattling descent to the Channel; you come out of it as a gull comes out of an oil-slick. You are tarred and feathered for life.
Is despair wrong? Isn’t it the natural condition of life after a certain age? … After a number of events, what is there left but repetition and diminishment? Who wants to go on living? The eccentric, the religious, the artistic (sometimes); those with a false sense of their own worth. Soft cheeses collapse; firm cheeses endurate. Both go mouldy.
It took me some years to clear my head of what Paris wanted me to admire about it, and to notice what I preferred instead. Not power-ridden monuments, but individual buildings which tell a quieter story: the artist's studio, or the Belle Epoque house built by a forgotten financier for a just-remembered courtesan.
But I’ve been turning over in my mind the question of nostalgia, and whether I suffer from it. I certainly don’t get soggy at the memory of some childhood knickknack; nor do I want to deceive myself sentimentally about something that wasn’t even true at the time—love of the old school, and so on. But if nostalgia means the powerful recollection of strong emotions—and a regret that such feelings are no longer present in our lives—then I plead guilty.
And that's a life, isn't it? Some achievements and some disappointments. It's been interesting to me, though I wouldn't complain or be amazed if others found it less so. Maybe, in a way, Adrian knew what he was doing. Not that I would have missed my own life for anything, you understand. [pp.60-61]
Every love story is a potential grief story.
Where knowledge ends, religion begins.
The Negro enslaved by his inferiority, the white man enslaved by his superiority alike behave in accordance with a neurotic orientation.
The most difficult thing is what is thought to be the simplest; to really see the things which are before your eyes.
In all professions each affects a look and an exterior to appear what he wishes the world to believe that he is. Thus we may say that the whole world is made up of appearances.
Celebration of Independence Day with great pomp and show was quite appropriate when we were fighting for independence which we had neither seen nor handled. Now we have handled it and we seem to be disillusioned. At least - I am, even if you are not. What are we celebrating today? Surely, not our disillusionment.
A total spiritual direction given to the whole life and the whole nature can alone lift humanity beyond itself. . . It is only the full emergence of the soul, the full descent of the native light and power of the Spirit and the consequent replacement or transformation and uplifting of our insufficient mental and vital nature by a spiritual and supramental Supernature that can effect this evolutionary miracle.
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