I think overall, making a movie is like putting a stamp on the world. Every time I make a movie, I feed in elements to make sure that it's my movie. I'm marking poles like a dog does. This is how I show my movies to the world.
Japanese animation tends to need high budgets. If I have a high budget for a movie, I usually make animation, but if the project has a low budget, th… - Mamoru Oshii
Japanese animation tends to need high budgets. If I have a high budget for a movie, I usually make animation, but if the project has a low budget, th…
- Mamoru Oshii
I think overall, making a movie is like putting a stamp on the world. Every time I make a movie, I feed in elements to make sure that it's my movie. … - Mamoru Oshii
I think overall, making a movie is like putting a stamp on the world. Every time I make a movie, I feed in elements to make sure that it's my movie. …
We weep for a bird’s cry, but not for a fish’s blood. Blessed are those with a voice. - Mamoru Oshii
We weep for a bird’s cry, but not for a fish’s blood. Blessed are those with a voice.
As well as Japanese animation, technology has a huge influence on Japanese society, and also Japanese novels. It's because before, people tended to t… - Mamoru Oshii
As well as Japanese animation, technology has a huge influence on Japanese society, and also Japanese novels. It's because before, people tended to t…
Ever since I was a child, I always had insecurity or suspicions about my own personal identity. That's why I started going to a lot of movie theaters… - Mamoru Oshii
Ever since I was a child, I always had insecurity or suspicions about my own personal identity. That's why I started going to a lot of movie theaters…
Just because a movie is satisfactory means that the person who makes it is satisfactory. One can make a wonderful movie but still not be a wonderful … - Mamoru Oshii
Just because a movie is satisfactory means that the person who makes it is satisfactory. One can make a wonderful movie but still not be a wonderful …
I do have more directorial control over animation, because it's like trial and error: If something doesn't work, you can always go back and change ce… - Mamoru Oshii
I do have more directorial control over animation, because it's like trial and error: If something doesn't work, you can always go back and change ce…
I do have huge pressure in terms of making my animation, because a lot of audiences and producers are expecting me to make films with a lot of action… - Mamoru Oshii
I do have huge pressure in terms of making my animation, because a lot of audiences and producers are expecting me to make films with a lot of action…
I do feel that there are things you can learn from an artist, but I think you need to be very close to that person, and to know that person fairly we… - Mamoru Oshii
I do feel that there are things you can learn from an artist, but I think you need to be very close to that person, and to know that person fairly we…
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