What is important is the moment of opening a life and feeling it touch--with an electric hiss and cry--this speckled mineral sphere, our present world.
Annie DillardRead
The painter... does not fit the paints to the world. He most certainly does not fit the world to himself. He fits himself to the paint. The self is the servant who bears the paintbox and its inherited contents.
Interpretation
An artist adapts themselves to their medium rather than imposing their will upon it.
Annie Dillard's quote emphasizes the relationship between the artist and their chosen medium, suggesting that true creativity lies in the ability to harmonize oneself with the tools at hand. Rather than trying to force one's vision onto the world or to the materials, an artist must understand and adapt to the nuances and limitations of the paint or medium they use, allowing it to guide their creative expression.
In practice
In a lecture about the creative process, one might quote this to illustrate how artists engage with their materials.
What is important is the moment of opening a life and feeling it touch--with an electric hiss and cry--this speckled mineral sphere, our present world.
Geography is the key, the crucial accident of birth. A piece of protein could be a snail, a sea lion, or a systems analyst, but it had to start somewhere. This is not science; it is merely metaphor. And the landscape in which the protein "starts" shapes its end as surely as bowls shape water.
Buddhism notes that it is always a mistake to think your soul can go it alone.
Similarly, the impulse to keep to yourself what you have learned is not only shameful, it is destructive. Anything you do not give freely and abundantly becomes lost to you. You open your safe and find ashes.
It is difficult to undo our own damage, and to recall to our presence that which we have asked to leave. It is hard to desecrate a grove and change your mind. The very holy mountains are keeping mum. We doused the burning bush and cannot rekindle it; we are lighting matches in vain under every green tree.
To crank myself up I stood on a jack and ran myself up. I tightened myself like a bolt. I inserted myself in a vise-clamp and wound the handle till the pressure built. I drank coffee in titrated doses. It was a tricky business, requiring the finely tuned judgment of a skilled anesthesiologist. There was a tiny range within which coffee was effective, short of which it was useless, and beyond which, fatal.
I'm always oscillating between if I should sprinkle more gunpowder or less. But if I put too much gunpowder, there may be holes throughout the silk. If not enough, the power and energy would not be shown.
Drama, instead of telling us the whole of a man's life, must place him in such a situation, tie such a knot, that when it is untied, the whole man is visible.
If you want to be an actor, you must have total, ruthless commitment to your art. Don't be ambitious for fame or TV or movies. Art is a jealous mistress and will brook no competitors. Study all the time. Never stop reading. Never stop learning speeches. It will fill you up - define and refine you.
In art, the hand can never execute anything higher than the heart can imagine.
The pleasure we obtain from music comes from counting, but counting unconsciously. Music is nothing but unconscious arithmetic.
We all need poetry. The moments in our lives that are characterized by language that has to do with necessity or the market, or just, you know, things that take us away from the big questions that we have, those are the things that I think urge us to think about what a poem can offer.
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