I make paintings really slowly because I change them and change them and change them and change them and change them. I don't really know how to not do that. I'm not very free in a way. Even though it looks free. But it's not.
Who would be an artist that was perfectly happy? Maybe nowadays, but when I grew up in the '60s, you had nobody in the art club who was popular. No c… - Amy Sillman
Who would be an artist that was perfectly happy? Maybe nowadays, but when I grew up in the '60s, you had nobody in the art club who was popular. No c…
- Amy Sillman
That’s the huge problem with an abstract painting. When are you done? You’re done when you don’t want to do it anymore. - Amy Sillman
That’s the huge problem with an abstract painting. When are you done? You’re done when you don’t want to do it anymore.
At some point, I get a weird feeling, and that's when I know it's done. I probably ruin a lot of really perfectly fine things. So part of working on … - Amy Sillman
At some point, I get a weird feeling, and that's when I know it's done. I probably ruin a lot of really perfectly fine things. So part of working on …
All accidents and experiments, and discoveries, are what my work is about. The problem that I have as an artist is being way too critical. - Amy Sillman
All accidents and experiments, and discoveries, are what my work is about. The problem that I have as an artist is being way too critical.
A lot of what I do in my work is taking a thing and either washing it off, scraping it, covering it, scraping it and then washing it, turning it upsi… - Amy Sillman
A lot of what I do in my work is taking a thing and either washing it off, scraping it, covering it, scraping it and then washing it, turning it upsi…
Every painting I've ever done has like 100 paintings under it. - Amy Sillman
Every painting I've ever done has like 100 paintings under it.
In my work, we're not looking at an icon, we're not looking at a sign, we're not looking at a representation. We're looking at something. I do have t… - Amy Sillman
In my work, we're not looking at an icon, we're not looking at a sign, we're not looking at a representation. We're looking at something. I do have t…
I make paintings really slowly because I change them and change them and change them and change them and change them. I don't really know how to not … - Amy Sillman
I make paintings really slowly because I change them and change them and change them and change them and change them. I don't really know how to not …
I've never read a book on shape. I've read books on gesture; I've read tons of books on color, surface, field, ground, representation, abstraction. B… - Amy Sillman
I've never read a book on shape. I've read books on gesture; I've read tons of books on color, surface, field, ground, representation, abstraction. B…
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