Teaching and writing have tended to proceed on parallel lines, but there have been times when there was indeed carry-over from the classroom to the creative work.
Teaching and writing have tended to proceed on parallel lines, but there have been times when there was indeed carry-over from the classroom to the c… - Adam Kirsch
Teaching and writing have tended to proceed on parallel lines, but there have been times when there was indeed carry-over from the classroom to the c…
- Adam Kirsch
In the 1970s, for example, I found myself learning to relish the poetry of Andrew Marvell and Sir Thomas Wyatt, and getting a handle on poetry of pla… - Adam Kirsch
In the 1970s, for example, I found myself learning to relish the poetry of Andrew Marvell and Sir Thomas Wyatt, and getting a handle on poetry of pla…
Once a poet calls his myth a myth, he prevents the reader from treating it as a reality; we use the word "myth" only for stories we ourselves cannot … - Adam Kirsch
Once a poet calls his myth a myth, he prevents the reader from treating it as a reality; we use the word "myth" only for stories we ourselves cannot …
The unadmitted reason why traditional readers are hostile to e-books is that we still hold the superstitious idea that a book is like a soul, and tha… - Adam Kirsch
The unadmitted reason why traditional readers are hostile to e-books is that we still hold the superstitious idea that a book is like a soul, and tha…
So how can a poet-an intelligent, serious poet-write mystical verse now? The poetry of Adam Zagajewski provides the beginning of an answer to this qu… - Adam Kirsch
So how can a poet-an intelligent, serious poet-write mystical verse now? The poetry of Adam Zagajewski provides the beginning of an answer to this qu…
With luck, a writer capable of producing both Slouching Towards Kalamazoo and The Blood of the Lamb will not remain unappreciated for long. - Adam Kirsch
With luck, a writer capable of producing both Slouching Towards Kalamazoo and The Blood of the Lamb will not remain unappreciated for long.
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