Paris was a universe whole and entire unto herself, hollowed and fashioned by history; so she seemed in this age of Napoleon III with her towering buildings, her massive cathedrals, her grand boulevards and ancient winding medieval streets - as vast and indestructible as nature itself.
Interpretation
This quote expresses the idea that Paris embodies a timeless beauty shaped by its rich history and architecture.
In this quote, Anne Rice captures the essence of Paris as a city that holds a unique and profound identity, shaped by its historical significance and grand architectural landmarks. The description highlights how the city's imposing structures and ancient streets create a sense of permanence and strength, likening it to the indestructible forces of nature. Through this imagery, Rice conveys a deep admiration for the beauty and character of Paris, illustrating its role as a living testament to history.
In practice
During a presentation on architecture, one might quote this to emphasize the historical significance of urban spaces.
From my stone pillow I have dreamed dreams of the mortal world above. I have heard its voices, its new music, as lullabies as I lie in my grave. I have envisioned its fantastical discoveries. I have known its courage in the timeless sanctum of my thoughts. And though it shuts me out with its dazzling forms, I long for one with the strength to roam it fearlessly, to ride the Devil's Road through its heart.
We all suffer under a curse, the curse that we know more than we can endure, and there is nothing, absolutely nothing we can do about the force and the lure of this knowledge.
And so this young one, this young one whom I had so loved, I had to forsake, no matter how broken my heart, no matter how lonely my soul, no matter how bruised my intellect and spirit.
Dear God, help me. Do not forget me on this tiny cinder lost in a galaxy that is lost–a heart no bigger than a speck of dust beating, beating against death, against meaninglessness, against guilt, against sorrow.
The vampires have always been metaphors for me. They've always been vehicles through which I can express things I have felt very, very deeply.
In the very depths of Hell, do not demons love one another?
Sing in me, Muse, and through me tell the story
The notion of directing a film is the invention of critics - the whole eloquence of cinema is achieved in the editing room.
Acting isn't really a creative profession. It's an interpretative one.
In order to design buildings with a sensuous connection to life, one must think in a way that goes far beyond form and construction.
To be true to life, a novel must have an ending that is inevitable given the specific personalities of the characters involved. The novelist must not impose an ending upon them.
There's this existential argument that comes in, at some point, when you're over-thinking the songwriting process. There's no guarantee that the more time you spend or the more you concentrate on certain aspects that that's going to produce a better result, especially in the arts.
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