Each one of my movies is going to be about one of these different social demons. The first one, being 'Get Out,' is about race and neglect and marginalization.
Jordan PeeleRead
Part of what horror is, is taking risks and going somewhere that people think you're not supposed to be able to go, in the name of expressing real-life fears.
Interpretation
Horror explores the depths of human fear by daring to venture into taboo subjects.
In this quote, Jordan Peele emphasizes that horror as a genre is about confronting and expressing our deepest fears by pushing boundaries and taking risks. He suggests that part of the thrill of horror lies in the exploration of places and themes that society often deems off-limits, ultimately allowing creators and audiences to confront real-life anxieties through a fictional lens.
In practice
In a film discussion, you might quote this to illustrate how horror movies often reflect societal fears.
Each one of my movies is going to be about one of these different social demons. The first one, being 'Get Out,' is about race and neglect and marginalization.
I'm a true believer in story. I think when you just tell people to think, people tend to get resistant and defensive and feel like you're accusing them of not thinking.
I'd been taught from an early age that I was in the 'other' category on the standardized tests. You know, I had to go down the checklist - Caucasian, African-American, Latino, Asian-Pacific Islander, and then, you know, at the bottom is other. So, you know, very early on I was taught, in a way, that I was somehow this anomaly.
I love getting cheers. I love giving scares. Anything that really works with the audience makes me happy.
The best comedy and horror feel like they take place in reality. You have a rule or two you are bending or heightening, but the world around it is real.
You hear it said time and time again by successful directors: You have to make a movie for yourself. Don't make it for anyone else.
Mournful and yet grand is the destiny of the artist.
The only merit I have is to have painted directly from nature with the aim of conveying my impressions in front of the most fugitive effects.
When you know what an actor has, you can reach in and arouse it. If you don't know what he has, you don't know what the hell is going on.
Modernity signifies the transitory, the fugitive, the contingent, the half of art of which the other half is the eternal and the immutable.
If you focus your energy on the camera, it takes away from the time you have to focus on the performances.
Design without discipline is anarchy, an exercise of irresponsibilit y.
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