I think people read travel books either because they intend to take that trip, or because they would never take that trip. In a sense, as a writer you are doing the travel for the reader.
Interpretation
Travel books ignite a desire for exploration or fulfill the wanderlust of those who cannot travel themselves.
In this quote, Paul Theroux suggests that people read travel books for two main reasons: either to prepare for an actual trip they intend to take, or as a form of escapism for those who may never embark on such journeys themselves. He highlights the unique role of the writer, who transports the reader to different places through words, enabling them to experience the essence of travel vicariously.
In practice
In a travel-themed book club, this quote could be shared to spark discussions on the impact of travel literature.
Notice how many of the Olympic athletes effusively thanked their mothers for their success? “She drove me to my practice at four in the morning,” etc. Writing is not figure skating or skiing. Your mother will not make you a writer. My advice to any young person who wants to write is: leave home.
I'm not pessimistic about Africa. The cities just seem big and hopeless. But there's still a great green heart where there's possibility. There's hope in the wilderness.
I can't predict how reading habits will change. But I will say that the greatest loss is the paper archive - no more a great stack of manuscripts, letters, and notebooks from a writer's life, but only a tiny pile of disks, little plastic cookies where once were calligraphic marvels.
When I was in the Peace Corps I never made a phone call. I was in Central Africa; I didn't make a phone call for two years. I was in Uganda for another four years and I didn't make a phone call. So for six years I didn't make a phone call, but I wrote letters, I wrote short stories, I wrote books.
Death is an endless night so awful to contemplate that it can make us love life and value it with such passion that it may be the ultimate cause of all joy and all art.
The wish to travel seems to me characteristically human: the desire to move, to satisfy your curiosity or ease your fears, to change the circumstances of your life, to be a stranger, to make a friend, to experience an exotic landscape, to risk the unknown.
In order to live in a different country, you have to love something there. You have to love something there. You have to love either the spirit of the laws or the economic opportunities, or the - well, history of the country, the language perhaps, literature.
My Christmas present to myself each year is to see how much air travel can open up the world and take me to places as far from sheltered California and Japan as possible.
Of all possible debauches, traveling is the greatest that I know; that's the one they invented when they got tired of all the others.
I like to say, 'I spend one-third of my time in Nigeria, one-third in Europe or America, and one-third on a plane.'
The notion that before you even set out to go to Thailand, you say, 'I'm not interested,' or you're unwilling to try things that people take so personally and are so proud of and so generous with, I don't understand that, and I think it's rude. You're at Grandma's house, you eat what Grandma serves you.
We travel, initially, to lose ourselves, and we travel, next, to find ourselves. We travel to open our hearts and eyes. And we travel, in essence, to become young fools again—to slow time down and get taken in, and fall in love once more.
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