I kept imagining these people, just living their daily lives, and then having them suddenly ended in unjust tragedy. When we watch the news, we grieve all of this, but when we go to the movies, we want more of it. Somehow we realize that great stories are told in conflict, but we are unwilling to embrace the potential greatness of the story we are actually in. We think God is unjust, rather than a master storyteller.
Interpretation
This quote reflects on the contrast between real-life tragedies and our appreciation for storytelling, emphasizing a deeper understanding of life's narrative.
Donald Miller's quote explores the paradox of human nature in how we respond to tragedy. While we mourn the unjust loss of lives in reality, we simultaneously seek out and even revel in stories of conflict and resolution in entertainment, suggesting that a greater narrative or purpose underlies both. Rather than viewing apparent injustice as a failure of morality, he invites us to consider it as part of a larger, masterfully woven story that adds depth and meaning to our experiences.
In practice
In a discussion about film storytelling, this quote can be used to highlight the importance of conflict in creating engaging narratives.
Here's the truth about telling stories with your life. It's going to sound like a great idea, and you're going to get excited about it, and then when it comes time to do the work, you're not going to want to do it. It's like that with writing books, and it's like that with life. People love to have lived a great story, but few people like the work it takes to make it happen. But joy costs pain.
I listened so hard because it felt like, while she was telling me stories, she was massaging my soul, letting me know that I was not alone, that I will never have to be alone, that there are friends and family and churches and coffee shops. I was not going to be cast into space.
Sometimes I wish I could go back in time, sit down with myself and explain that things were going to be okay, that everybody loses ground sometimes and it doesn’t mean anything. It’s the way life works. This is hard to understand in the moment. You get to thinking about the girl who rejected you, the job you got fired from, the test you failed, and you lose sight of the big picture — the fact that life has a beautiful way of remaking itself every few weeks.
I've wondered, though, if one of the reasons we fail to acknowledge the brilliance of life is because we don't want the responsibility inherent in the acknowledgment. We don't want to be characters in a story because characters have to move and breathe and face conflict with courage. And if life isn't remarkable, then we don't have to do any of that; we can be unwilling victims instead of grateful participants.
But the people who took the bus didn't experience the city as we experienced the city. The pain made the city more beautiful. The story made us different characters than we would have been if we had skipped the story and showed up at the ending an easier way.
The times in my life when I have been most happy haven't been the times when I have had the most money or the most freedom or the most anything, but rather when I've been in love or in community or right with people.
It's easier to put on a pair of shoes than to wrap the earth in leather.
By now, everyone I know is one of seven strangers, inevitably hoping to represent a predefined demographic and always failing horribly. The Read World is the real world is The Real World is the read world. It’s the same true story, even when it isn’t.
Imagine that each time you inhale, that the universe is breathing into you, and as you exhale it is breathing out of you.
A riot is the language of the unheard. On blacks in America; address at Birmingham AL
Ask most people who live in a home and have a mortgage on it whether they own their own home and the answer is almost guaranteed to be a resounding 'yes'. Yet it's the wrong answer. Technically speaking, until they have paid the mortgage off, they don't own it. Herein lies the difference between reality and illusion, between ownership and control. This confusion lies not only at the individual level, but also at the heart of government thinking.
We are discreet sheep; we wait to see how the drove is going, and then go with the drove. We have two opinions: one private, which we are afraid to express; and another one - the one we use - which we force ourselves to wear to please Mrs. Grundy, until habit makes us comfortable in it, and the custom of defending it presently makes us love it, adore it, and forget how pitifully we came by it. Look at it in politics.
Subscribe for the occasional hand-picked quote. No noise.