Wearing clothes should be a personal narrative of emotion. I always respond to fashion in an emotional way.
Andre Leon TalleyRead
People love fashion exhibits because they can fantasize. They can respond to a dress even if they can never wear a dress like that.
Interpretation
Fashion exhibits allow people to dream about styles and aesthetics beyond their own reality.
This quote by Andre Leon Talley highlights the allure of fashion exhibits, which offer a space for people to engage with creativity and beauty through clothing, regardless of their personal ability to wear such garments. The experience is not just about the clothing itself but also about the emotions and fantasies that these designs evoke, allowing individuals to connect with art and imagination.
In practice
During a public talk on fashion, one might use this quote to express the importance of creativity in people's lives.
Wearing clothes should be a personal narrative of emotion. I always respond to fashion in an emotional way.
The happiest moments of my childhood were spent on my grandmother's front porch in Durham, N.C., or at her sister's farmhouse in Orange County, where chickens paraded outside the kitchen's screen door and hams were cured in the smokehouse.
People need to be edited; life needs to be edited. I need to be edited.
I don't tear down. I prefer to build up.
An artist must be free to choose what he does, certainly, but he must also never be afraid to do what he might choose.
The climate suits me, and London has the greatest serious music that you can hear any day of the week in the world - you think it's going to be Vienna or Paris or somewhere, but if you go to Vienna or Paris and say, 'Let's hear some good music', there isn't any.
I'm not a politician. I don't know how to solve the problems of the world. But as an artist, I have one duty: to ask questions.
Poetry began in the matriarchal age, and derives its magic from the moon, not from the sun. No poet can hope to understand the nature of poetry unless he has had a vision of the Naked King crucified to the lopped oak, and watched the dancers, red-eyed from the acrid smoke of the sacrificial fires, stamping out the measure of the dance, their bodies bent uncouthly forward, with a monotonous chant of "Kill! kill! kill!" and "Blood! blood! blood!
The constant fear of a performer is to become what is reflected back at you.
One way we can enliven the imagination is to push it toward the illogical. We're not scientists. We don't always have to make the logical, reasonable leap.
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