However much, as readers, we lose ourselves in a novel or story, fiction itself is an experience on the order of memory -not on the order of actual occurrence.
Samuel R. DelanyRead
You know what I do? I listen to other people, stumbling about with their half thoughts and half sentences and their clumsy feelings that they can't express, and it hurts me. So I go home and burnish it and polish it and weld it to a rhythmic frame, make the dull colors gleam, mute the garish artificiality to pastels, so it doesn't hurt any more: that's my poem. I know what they want to say, and I say it for them.
Interpretation
The quote expresses the transformative power of art as a means to articulate unexpressed emotions and thoughts.
In this quote, Samuel R. Delany conveys the role of a poet or artist as someone who listens to the struggles of others in communicating their feelings and ideas. By refining these raw emotions into art—through poetry—he transforms their pain and confusion into something beautiful and resonant, bridging the gap between unexpressed thoughts and expression, ultimately providing a voice for those who feel unheard.
In practice
In a speech on creativity, you might quote this to emphasize the role of artists in translating complex feelings into art.
However much, as readers, we lose ourselves in a novel or story, fiction itself is an experience on the order of memory -not on the order of actual occurrence.
The only important elements in any society are the artistic and the criminal, because they alone, by questioning the society’s values, can force it to change.
How we treat our invalids - our mad, our physically or mentally compromised family members - does tell you something about who we are politically, historically, culturally.
It is a magic book. Words mean things. When you put them together they speak. Yes, sometimes they flatten out and nothing they say is real, and that is one kind of magic. But sometimes a vision will rip up from them and shriek and clank wings clear as the sweat smudge on the paper under your thumb. And that is another kind.
The poems ... are moments when I had the intensity to see, and the energy to build, some careful analog that completed the seeing. ... All I have been left is the exhausting habit of trying to tack up the slack in my life with words.
I spend a lot of time thinking, if not daydreaming. People think of me as a genre writer, and a genre writer is supposed to be prolific. Since that's how people perceive me, they have to say I'm prolific. But I don't find that either complimentary or accurate.
When I'm about to train a new opera, I first listen to how Jussi Björling did it. His voice was unique and it's his path that I want to follow. I would more than anything else wish that people compared me with Jussi Björling. It's like so I'm striving to sing.
You say grace before meals. All right. But I say grace before the concert and the opera, and grace before the play and pantomime, and grace before I open a book, and grace before sketching, painting, swimming, fencing, boxing, walking, playing, dancing and grace before I dip the pen in the ink.
How well I would write if I were not here!
To this urn let those repair_x000D_ _x000D_ That are either true or fair;_x000D_ _x000D_ For these dead birds sigh a prayer.
To see the Summer Sky Is Poetry, though never in a Book it lie— True Poems flee—
Most of the time - in 'Pan's Labyrinth' or 'Devil's Backbone' - I'm talking about my childhood.
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