When people say that moviegoing is dead, I go, 'OK, so the makers of 'Get Out' should've sold that movie to a platform? Then they don't have this insane, crazy success theatrically all over the world.'
Interpretation
The quote emphasizes the importance of traditional cinema experiences and their impact on a film's success.
Steven Soderbergh's quote defends the theatrical experience of moviegoing by highlighting the significant achievements of films like 'Get Out'. He suggests that when critics claim that the cinema industry is dying, they overlook the unprecedented success that films can achieve in theaters, asserting that such success would not be possible if they were sold solely to streaming platforms.
In practice
This quote can be used in a discussion about the future of cinema at a film festival.
If you talk to any filmmaker, and if you said to them, 'I guarantee you x amount of money per month for the rest of your life, and it's not a big amount of money, but I can also guarantee that you will work continually, you will get to make what you want to make,' any filmmaker on the planet will make that kind of deal. I would have made it.
I want to thank anyone who spends part of their day creating...anybody who spends part of their day sharing their experience with us-I think this world would be unlivable without art and I thank you.
Cinema is not about format, and it's not about venue. Cinema is an approach. Cinema is a state of mind on the part of the filmmaker. I've seen commercials that have cinema in them, and I've seen Oscar-winning movies that don't. I'm fine with this.
Making a film that's supposed to be fun to watch is really hard - that's the weird irony of it.
A success, to me, is the ability to keep working. That's success. It has nothing to do with money; it's the ability to keep getting things made, period.
You don't go make 'Schizopolis' if you're trying to protect some idea of yourself as a filmmaker.
To tell of disappointment and misery, to thicken the darkness of futurity, and perplex the labyrinth of uncertainty, has been always a delicious employment of the poets
When I first started making ambient music, I was setting up systems using synthesizers that generated pulses more or less randomly. The end result is a kind of music that continuously changes. Of course, until computers came along, all I could actually present of that work was a piece of its output.
Movies took you right up to the edge but kept you safe.
And the reason I am writing this on the back of a manila envelope now that they have left the train together is to tell you that when she turned to lift the large, delicate cello onto the overhead rack, I saw him looking up at her and what she was doing the way the eyes of saints are painted when they are looking up at God when he is doing something remarkable, something that identifies him as God.
If you're going to be honest with yourself, you have to admit that you go into show business wanting people to talk about you and wanting everyone to know who you are. But that also means there are going to be a whole bunch of people who don't like you. No matter who you are.
I love movies, but sometimes I think it's better for actresses not to be total cinephiles. You have to be able to do the work at some point; you can't be totally starstruck. 'I can't believe it's Woody Allen!' You have to get past that.
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