Sadness is more or less like a head cold - with patience, it passes. Depression is like cancer.
Barbara KingsolverRead
People in my novels always have terrible problems. If they are not terrible, I make them more terrible.
Interpretation
The quote highlights the tendency of novelists to create conflict by increasing the difficulties faced by their characters.
Barbara Kingsolver reflects on the nature of storytelling in literature, suggesting that characters in her novels often encounter significant challenges. This emphasis on terrible problems serves to drive the narrative and engage readers, revealing the complexities of human experience and the role of adversity in personal growth and development.
In practice
In a writing workshop, to discuss character development.
Sadness is more or less like a head cold - with patience, it passes. Depression is like cancer.
Children can be your heartache. But that doesn't matter, you have to go on and have them . . . it works out.
I'm of a fearsome mind to throw my arms around every living librarian who crosses my path, on behalf of the souls they never knew they saved.
I did it to win love, and to prove myself capable. Not to move mountains. In my opinions, mountains don't move. They only look changed when you look down on them from great height.
Memory is a complicated thing, a relative to truth, but not its twin.
Empathy is really the opposite of spiritual meanness. It's the capacity to understand that every war is both won and lost. And that someone else's pain is as meaningful as your own.
A man of letters, merely by reading a phrase, can estimate exactly the literary merit of its author.
Fiction and nonfiction are not so easily divided. Fiction may not be real, but it's true; it goes beyond the garland of facts to get to emotional and psychological truths.
There are books so alive that you're always afraid that while you weren't reading, the book has gone and changed, has shifted like a river; while you went on living, it went on living too, and like a river moved on and moved away. No one has stepped twice into the same river. But did anyone ever step twice into the same book?
A classic,' suggested Anthony, 'is a successful book that has survived the reaction of the next period or generation. Then it's safe, like a style in architecture or furniture. It's acquired a picturesque dignity to take the place of its fashion.
I demand that my books be judged with utmost severity, by knowledgeable people who know the rules of grammar and of logic, and who will seek beneath the footsteps of my commas the lice of my thought in the head of my style.
She liked books more than anything else, and was, in fact, always inventing stories of beautiful things and telling them to herself.
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