Sadness is more or less like a head cold - with patience, it passes. Depression is like cancer.
Barbara KingsolverRead
People in my novels always have terrible problems. If they are not terrible, I make them more terrible.
Interpretation
What this quote means
The quote highlights the tendency of novelists to create conflict by increasing the difficulties faced by their characters.
Barbara Kingsolver reflects on the nature of storytelling in literature, suggesting that characters in her novels often encounter significant challenges. This emphasis on terrible problems serves to drive the narrative and engage readers, revealing the complexities of human experience and the role of adversity in personal growth and development.
Themes
NovelsProblemsCharactersConflictStorytelling
In practice
Example use cases
In a writing workshop, to discuss character development.
More from Barbara Kingsolver
All quotes βChildren can be your heartache. But that doesn't matter, you have to go on and have them . . . it works out.
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I'm of a fearsome mind to throw my arms around every living librarian who crosses my path, on behalf of the souls they never knew they saved.
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I did it to win love, and to prove myself capable. Not to move mountains. In my opinions, mountains don't move. They only look changed when you look down on them from great height.
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Memory is a complicated thing, a relative to truth, but not its twin.
Barbara KingsolverRead
Empathy is really the opposite of spiritual meanness. It's the capacity to understand that every war is both won and lost. And that someone else's pain is as meaningful as your own.
Barbara KingsolverRead
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I suppose books mean more than people to me anyway
F. Scott FitzgeraldRead
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However much, as readers, we lose ourselves in a novel or story, fiction itself is an experience on the order of memory -not on the order of actual occurrence.
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Even though I read voraciously as a child, I never saw myself in books. Without narratives to expand my ideas of who I could be, I accepted the stories others told me about myself, stories which diminished and belittled me and people like me. I want to write against that.
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THE WRITER can get free of his writing only by using it, that is, by reading oneself. As if the aim of writing were to use what is already written as a launching pad for reading the writing to come. Moreover, what he has written is read in the process, hence constantly modified by his reading. The book is an unbearable totality. I write against a background of facets.
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David Foster WallaceRead