The writer is the person who stands outside society, independent of affiliation and independent of influence.
Don DelilloRead
People hurried past, the others of the street, endless anonymous, twenty-one lives per second, race-walking in their faces and pigments, sprays of fleetest being.
Interpretation
This quote reflects on the rapid pace of urban life and the anonymity of individuals within it.
Don DeLillo's quote captures the essence of modern existence, where individuals are often lost in the hustle and bustle of city life. It evokes a sense of both the vibrancy and the detachment that comes with living in a densely populated environment, highlighting how people can coexist yet remain invisible to one another as they rush through their daily routines.
In practice
In a discussion about the fast pace of modern cities, one might use this quote to illustrate how people often overlook the lives of those around them.
The writer is the person who stands outside society, independent of affiliation and independent of influence.
War is the form nostalgia takes when men are hard-pressed to say something good about their country.
American writers ought to stand and live in the margins, and be more dangerous.
For me, writing is a concentrated form of thinking.
I used to think it was possible for an artist to alter the inner life of the culture. Now bomb-makers and gunmen have taken that territory.
[I]n the American soul there is a lonely individual standing in a vast landscape. He is either on a horse or driving a car, depending, and either way he’s carrying a gun. This is one of the essential images in American mythology.
What is the source of all this trouble? I'm saying that the source is basically in thought. Many people would think that such a statement is crazy, because thought is the one thing we have with which to solve our problems. That's part of our tradition.
But the thought arrived inside her like a train: Marya Morevna, all in black, here and now, was a point at which all the women she had been met—the Yaichkan and the Leningrader and the chyerti maiden; the girl who saw the birds, and the girl who never did—the woman she was and the woman she might have been and the woman she would always be, forever intersecting and colliding, a thousand birds falling from a thousand oaks, over and over.
We are the children of our landscape; it dictates behavior and even thought in the measure to which we are responsive to it.
History is a wheel, for the nature of man is fundamentally unchanging. What has happened before will perforce happen again.
Every country has a founding mythology. For Americans, it starts with our first president's youthful encounter with a cherry tree and refusal to tell a lie. Mr. Trump would do well to find inspiration in that story, which goes to the heart of what makes America different - and our foreign policy effective - around the world.
America is the only nation in the world that is founded on creed. That creed is set forth with dogmatic and even theological lucidity in the Declaration of Independence; perhaps the only piece of practical politics that is also theoretical politics and also great literature.
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