I tell people to frame the picture. Make the greatest, most perfect composition you can . . . and then take a step forward. It skews it a bit and makes it more interesting.
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I am a storyteller. I've never been interested in just taking the single image and moving on. I always like to stay with the people I'm photographing for long periods of time.
I tell people to frame the picture. Make the greatest, most perfect composition you can . . . and then take a step forward. It skews it a bit and makes it more interesting.
My favorite color is green.
I just happened to have my camera and be photographing my friends. It was totally innocent; there was no purpose to the photographs. There was a purity to them that wasn't planned; it was realism. Over the years, the work has changed for me. I know that I have wanted to repeat myself, but I can't. I've been lost a lot of times, but then I'd just get an idea and photograph it. Once I'd started, I'd know exactly what would go down and how it would end. So I just quit doing it, because it loses all interest for me when you know what's going to happen.
If you're going to photograph skateboarders you can't run after them, you've got to learn how to skate. So at about 50 years old I learned how to skate, and skate fast enough to keep up with them and hold my camera.
I just happened to have my camera and be photographing my friends. It was totally innocent; there was no purpose to the photographs. There was a purity to them that wasn’t planned; it was realism.
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