People who read poetry, for example, like the feel, the heft and the smell of a book.
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In all the poems I've written I've not really engaged in politics, and when I've found myself moving in that direction I've always stopped myself.
Where does the hand become the wrist? where does the neck become the shoulder? The watershed and then the weight, whatever turns up and tips us over that razor's edge between something and nothing, between one and the other.
It’s never going to be very mainstream. One reason is that poetry requires concentration, both on the part of the writer and the reader. But it’s kind of unkillable, poetry. It’s our most ancient artform and I think it’s more relevant today than ever, because it’s one person saying what they really believe.
As far as I can tell, there are two kinds of poets: those who want to tell stories and sing songs, and those who want to work out the chemical equation for language and pass on their experiments as poetry.
People who read poetry, for example, like the feel, the heft and the smell of a book.
Killing time in the precinct, I find a copy of one of my early volumes in a dump-bin on the pavement outside the charity shop. The price is 10p. It is a signed copy. Under the signature, in my own handwriting, are the words, "To mum and dad".
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