Each period of a civilisation creates an art that is specific in it and which we will never see reborn. To try and revive the principles of art of past centuries can lead only to the production of stillborn works.
Interpretation
Each era produces unique art that can't be replicated, and reviving past styles may result in lifeless creations.
Wassily Kandinsky emphasizes that every civilization develops its own distinctive form of art that is deeply rooted in its specific time and cultural context. Attempting to recreate or revive the art principles of past centuries is futile and can result only in art that lacks vitality and originality, ultimately leading to what he describes as 'stillborn works.'
In practice
In a speech about the importance of contemporary art, one might quote Kandinsky to illustrate the uniqueness of modern creativity.
The true work of art is born from the 'artist': a mysterious, enigmatic, and mystical creation. It detaches itself from him, it acquires an autonomous life, becomes a personality, an independent subject, animated with a spiritual breath, the living subject of a real existence of being.
The artist must have something to say, for mastery over form is not his goal but rather the adapting of form to its inner meaning.
With cold eyes and indifferent mind the spectators regard the work. Connoissers admire the "skill" (as one admires a tightrope walker), enjoy the "quality of painting" (as one enjoys a pasty). But hungry souls go hungry away. The vulgar herd stroll through the rooms and pronounce the pictures "nice" or "splendid." Those who could speak have said nothing, those who could hear have heard nothing.
The sound of colors is so definite that it would be hard to find anyone who would express bright yellow with bass notes or dark lake with treble.
The more abstract is form, the more clear and direct its appeal.
All methods are sacred if they are internally necessary. All methods are sins if they are not justified by internal necessity.
Bored with obvious reality, I find my fascination in transforming it into a subjective point of view.
I think that an industrial process is not like a rubber stamp. Everything has to be put together and, as such, should have its own expression.
When I first started out in this music industry, I was most concerned with freedom. Freedom to produce, freedom to play all the instruments on my records, freedom to say anything I wanted to.
The painter must give a completely free rein to any feeling or sensations he may have and reject nothing to which he is naturally drawn.
Artists use lies to tell the truth. Yes, I created a lie. But because you believed it, you found something true about yourself.
I perhaps owe having become a painter to flowers.
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