In an era ruled by materialism and unstable geopolitics, art must be restored to the center of public education.
Camille PagliaRead
All objects, all phases of culture are alive. They have voices. They speak of their history and interrelatedness. And they are all talking at once!
Interpretation
Objects and cultural elements have stories and connections that speak to us all at once.
In this quote, Camille Paglia emphasizes the vibrancy and interconnectedness of cultural artifacts and objects, suggesting they possess their own narratives and histories that communicate with us. This perspective invites us to consider the deeper meanings behind the things we encounter, as they are not just inanimate but are imbued with the essence of the times and contexts from which they originate.
In practice
In a presentation about cultural anthropology, you might use this quote to illustrate the significance of artifacts.
In an era ruled by materialism and unstable geopolitics, art must be restored to the center of public education.
Every month, it is woman's fate to face the abyss of time and being, the abyss which is herself.
Serial or sex murder, like fetishism, is a perversion of male intelligence. It is a criminal abstraction, masculine in its deranged egotism and orderliness. It is the asocial equivalent of philosophy, mathematics, and music. There is no female Mozart because there is no female Jack the Ripper.
The male orientation of classical Athens was inseparable from its genius. Athens became great not despite but because of its misogyny.
We should teach general ethics to both men and women, but sexual relationships themselves must not be policed. Sex, like the city streets, would be risk-free only in totalitarian regimes.
Popular culture is the new Babylon, into which so much art and intellect now flow. It is our imperial sex theater, supreme temple of the western eye. We live in the age of idols. The pagan past, never dead, flames again in our mystic hierarchies of stardom.
Authors are far closer to the truths enfolded in mystery than ordinary people, because of that very audacity of imagination which irritates their plodding critics. As only those who dare to make mistakes succeed greatly, only those who shake free the wings of their imagination brush, once in a way, the secrets of the great pale world. If such writers go wrong, it is not for the mere brains to tell them so
Artists can have greater access to reality; they can see patterns and details and connections that other people, distracted by the blur of life, might miss. Just sharing that truth can be a very powerful thing.
I'd rather make a show 100 people need to see, than a show that 1000 people want to see.
In the great glasshouses streaming with condensation, the children in mourning-dress beheld marvels.
We have no longer an outside and an inside as two separate things. Now the outside may come inside and the inside may and does go outside. They are of each other. Form and function thus become one in design and execution if the nature of materials and method and purpose are all in unison.
We cling nervously to the melody, but we don't handle it freely, we don't really make anything new out of it, we merely overload it.
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